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#1 |
(deceased)
Join Date: Sep 2008
Location: Bavaria, Germany - the center of 15th and 16th century gunmaking
Posts: 4,310
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Author's photos, 1994.
This Late Gothic crossbow, Vienna inv.no. A 108, ca. 1460-70, with painted composite horn bow is of unusual dimensions, denoting that its owner, knight Andreas Baumkircher, who was executed in 1471, was a man of enormous physique. His coat-of-arms, a church and a house, is painted on the underside of the bow against a read ground, amidst yellow rays against a green ground. The second Late Gothic crossbow of about the same date is also preserved in Vienna, inv.no. A 464; the long trigger indicates that the rear of the tiller (now heavily wormed) was originally ca. 10-15 cm longer. Best, Michael Last edited by fernando; 19th February 2012 at 02:02 PM. Reason: correction required by post author |
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#2 |
(deceased)
Join Date: Sep 2008
Location: Bavaria, Germany - the center of 15th and 16th century gunmaking
Posts: 4,310
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One more photo of the Baumkircher crossbow, and the other Vienna crossbow. Please note that the latter is not yet equipped with the 'usual' lateral lugs for the cranequin loop but still features the earlier hook on top of the tiller for attacchin the spanning belt that was the predecessor of the cranequin. The earlest cranequins seem to turn up around the mid-15th c.
m . Last edited by fernando; 19th February 2012 at 02:03 PM. Reason: Correction required by post author |
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#3 |
(deceased)
Join Date: Sep 2008
Location: Bavaria, Germany - the center of 15th and 16th century gunmaking
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A late-15th c. Gothic crossbow with horn composite bow, sold cheaply at a Stockholm auction in 1996.
Best, Michael |
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#4 |
(deceased)
Join Date: Sep 2008
Location: Bavaria, Germany - the center of 15th and 16th century gunmaking
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A votive painting by the German mercenary Ludwig Klingkhamer, who was shot by a falconet ball lelow the North Italian fortress of Rovereto during the Venetian War in 1487. He survived and consequently donated this painting the blatancy and drastic decidedness of which still strikes us in every single detail after more than 500 years.
Please note the smashed crossbow parts at the left of the borse's fore legs, the bolts in the horse's body, as well as the shape of the Gothic numerals 1487. Best, Michael Last edited by Matchlock; 19th February 2012 at 02:44 PM. |
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#5 |
(deceased)
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
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Gosh
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#6 |
(deceased)
Join Date: Sep 2008
Location: Bavaria, Germany - the center of 15th and 16th century gunmaking
Posts: 4,310
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A very nice South German Early Renaissance cranequin, ca. 1540, preserved in completely original condition, wrought iron with brass applications. The maker's mark, a crescent and two pellets, is well known but cannot be attributed to an identified person. Brass applications in iron works - and weapons - are known to have been in use from ca. 1470-1550, and then again around 1700.
What is highly unusual with this cranequin is the the fact that the cord loop for attaching the spanning device to the lugs on the crossbow tiller is internally reinforced here with strands of iron wire. This remarkable feature becomes visible only thru a small damage of the loop. German private collection. Best, Michael |
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#7 |
(deceased)
Join Date: Sep 2008
Location: Bavaria, Germany - the center of 15th and 16th century gunmaking
Posts: 4,310
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The cranequin mounted is about contemporary; the one displayed on the right is notably shorter and can be dated to ca. 1500, the belt hook is missing. The sporting crossbow seems to be German, ca. 1600-1650.
Please note the b/w illustration of a cross section of a Late Gothic composite horn bow. I posted such remarkable coss sections of horn bows preserved in the Swiss collections of Lucerne and Zürich here before. Best, Michael Last edited by Matchlock; 22nd February 2012 at 03:48 PM. |
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