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#1 |
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Hi Michael - I appreciate your input. I have attached below three images from one of Bosch's better known works, The Garden of Earthly Delights, dating to ca. 1490-1510. This 7' x 12.5' (2.2 x 3.9m) monster triptych hangs in the Prado in Madrid. All three images are from the third panel.
I reference this work for two reasons: First, at the bottom of the third panel, one can find several edged weapons depicted with a high degree of realism. Second, what appears to be a very similar blade as in the OP can also be found in this panel - note the similarity with regards to the blade profile, the nick in the cutting edge, and the mark on the obverse of the blade (the guard is either absent or not visible, but the similarities are nonethless awfully coincidental)... These details, virtually mirroring each other on two separate works of his separated by at least five years and as many as twenty-five, along with the general trend of accurately and realistically depicting other edged weapons in both paintings, would seem to support the possibility this knife actually existed, wouldn't it? ![]() The 3rd panel of ...Earthly Delights: ![]() Rondel dagger and other edged weapons portrayed with a high degree of realism: ![]() The same blade as depicted in The Arrest of Christ: ![]() |
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#2 |
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Join Date: Sep 2008
Location: Bavaria, Germany - the center of 15th and 16th century gunmaking
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Hi EspadaAncha,
Thank you so much for these fine documentary Bosch samples, you sure presented a characteristic selection. I fully agree with your theory of the possibility that 'our' dagger in discussion may have really existed and been depicted after an original, especially as the general form is typical of late Gtothic/early Renaissance, as I tried to point out. There is another argument that comes to my mind: considering the fact that all other of Bosch's edged weapons - and, concerning my field of expertise, the only known firearm he depicted, an Italian matchlock arquebus of ca. 1540 - are perfectly characteristic in their appearances, there is a very high probability that this dagger, of all, is not mere fantasy either. Best, Michael |
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#3 |
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Hi Michael,
My appreciation of aesthetics of form (of edged weapons) were in no small part influenced by the vintage hunting knives I was exposed to while growing up... ![]() I am particularly partial to the vintage hand-ground hunting knives that were turned out by U.S. manufacturers (the Buck Frontiersman comes to mind) with gently swelling bellies and graceful lines - both expressive of the art of knife making that has continued to evolve here in the U.S. and which IMO are reflected to some degree in this particular dagger. While it doesn't take much for me to find an appreciation of aesthetics when it comes to edged weapons (usually just a point or an edge of some sort, and a turned or carved piece of horn, ivory, or wood ![]() Here's an example of the Frontiersman - given the impact this particular knife had on my tastes, I am sure you will see why I am so curious to learn more about this dagger... ![]() ![]() Thank you for additional the example that IMO further corroborates the degree of accuracy with which Bosch portrayed weaponry in his work. I have looked through my (feeble collection of) reference books but cannot find a similar dagger from the period. Would you by chance have any illustrations or photographs of similar examples you can share? Regards, Chris |
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#4 |
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To the mods:
Though there are some attachments in this thread, I noticed that the paper clip announcing them was missing on the main page. Best, Michael |
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#5 |
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Hi Chris,
Now I understand your partiality for those daggers - it's no wonder at all as the illustrated Frontiersman sample doubtlessly corresponds to, or is well based on, the so-called Maximilian type of ca. 1500 German Grosses Messer and contemporary daggers, showing the same stylized bird's head pommel. Sadly my ![]() From my computer archives, I attach details showing the latest form of a bird's head pommel on a backsword, from a painting by Lucas Cranach the Elder of 1535, titled Judith with the head of Holofernes. Best, Michael |
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#6 |
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Hi Chris,
For plenty of reference, please also see my thread http://www.vikingsword.com/vb/showthread.php?t=8630 Here is some more period artwork showing 15th and early 16th century bird's head pommels, plus a few others. From top: From the Constitutio Criminalis Bambergensis (Bambergische Peinliche Halsgerichtsordnung), 1507: 2 woodcuts From the Wurzach altar by Hans Multscher, 1437: 1 detail By Albrecht Dürer, Nuremberg, 1519: 1 image From the Arnstädter Auferstehungsaltar (the Arnstadt Resurrection altar), Thuringia, Germany, ca. 1430: 2 details Detail from a woodcut, ca. 1505. Best, Michael |
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#7 | |
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![]() Quote:
Thank you so much, Lee?, for mending that so promptly. ![]() With all my best, Michael |
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#8 |
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Hi Michael,
Wonderful examples of period bird's head pommels that do recall the "mystery dagger" as well as the much (much ![]() ![]() So much for my powers of observation, eh? ![]() Regards, Chris |
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#9 |
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Hi Chris,
Thank you so much, and please do take care of your super powers of observation ![]() Best regards, Michael |
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#10 |
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Hi there,
I finally found other samples of such dagger knives, i.e. one-edged daggers, in Thalhoffer's Fencing Books of 1459, together with various more curious daggers and devices you would not have believed they had existed. Please note the 'bladesmith marks'. This also backs up what I said about Bosch and his predilection of depicting oldfashioned pieces of accouterment that were still in use with the rural population decades after their make. I realize this is not a proof of their actual existence, just one more evidence of their being characteristic of the Gothic style. Enjoy, and best, Michael |
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