Rapier for coments

[Jim McDougall]

I am very much with Michael as my first impressions were in accord with his, as everything I could find in Norman directed toward English origin for this elongated globular pommel. Obviously the pierced shells directed toward a pappenheimer as well. What was distracting me was that as Celtan has noted, the blade resembles rapier blades which were in use mid 17th and into the early 18th century by Spain. It has seemed to me, by the markings and inscriptions, that these were likely produced in Solingen for export.

The wire wrap is indeed replacement, but cannot say from photos exactly how old. I believe that Michael's very well informed friend is quite on target in the German assessment and period, and the sword well illustrates the very composite nature often seen in rapiers as they were reworked to maintain servicability and often changing fashions.

I think that the well established connections between Germany and England in the time period noted may account for the variation in components, as this was during the time when the contingent of Solingen swordsmiths went to England with the establishment of the Hounslow manufacturing center. This is not to suggest this is a Hounslow rapier, simply that a well established contact was in place between the two countries with regard to these commercial matters.


All best regards,
Jim

[cornelistromp]

Hi Fernando,

very nice rapier, this pommel is used frequently in England in the early 17thC but in my opinion and in this case it belongs to this rapier and the rapier is indeed German, ..............so is the pommel.
For comparison see a rapier in my collection signed by Clemens Meigen with the same type of pommel and the same hexagonal bulbs in the ring-guard and a similar fluted quillon block as the pommel .

best regards,

[fernando]

Thank you all, Gentlemen.
It is no surprise that the wire wrap may not be the original one, as so often happens. I don't think however that it is a modern work, but has probably taken place during its service life. It is a perfect job, with a rather intrincate wiring and embelished with two little turk heads.
Concerning the pommel; reading Norman and checking on type #36, mentions are made on this fluted variation to appear in Brithish illustrations. But checking on plates #49 and #51, we observe these types mounted on swept hilt swords of North European origin. Also in the Wallace Collection we find these pommels, for instance A 627 and A 630. Reading the respective notes, we notice that, the first is mounted on a Milanese swept hilt sword and the second also on a Italian example.
We know that the rigour of these things deserves a pinch of salt. It might be that, for experts, this pommel may look inapt in this sword, but i happen to like it and am glad that it is a period item, nobody stating the contrary ... plus its self speaking aged texture.
Oh, i see that, while i build this response, Cornelistromp has posted his opinion on this piece.
Let me digest what he has to say about it.

[Matchlock]

Hi 'Nando,

The pommel obviously is in excavated condition as compared to the rest of the iron parts.

Best,
Michl

[cornelistromp]

Originally Posted by Matchlock

Hi 'Nando,

The pommel obviously is in excavated condition as compared to the rest of the iron parts.

Best,
Michl

Hi Michael,
the blade is (always) made out of other steel then the hilt.
therefor in many examples the blade is in a much better condition as the hilt.
the condition and pitting of the pommel matches the condition of the quillon block, but more important in this cases the quillon block has the same fluting as the pommel and thus belong together and can be seen as a pair.

best regards

[Jim McDougall]

In my earlier post I mentioned that there were of course distinct affiliations between Germany and England in the 17th century, and the Hounslow factory was begun with German swordsmiths brought there by invitation by the English king about the time of the English Civil Wars.

I agree that the metal used in various components would result in different types and stages of corrosion and wear. As noted, the rewrapping and refurbishing of hilts often accounts for the somewhat composite nature of rapiers typically found. These swords were often reworked as they, like many weapons, often had service life which lasted beyond a single generation.

Once again returning to the multinational nature of these components, the shells in the guard, which are as agree of pappenheimer style, in the pierced openwork seem to reflect a quatrefoil shape. While obviously an architectural feature often used widely, it brings to mind ecclesiastical style, and reminds me of that in many English churches.

I do hope this suggestion might be considered as I would like to know if the shape of these designs might be relevenant in possible further English origin for this rapier.

Best regards,
Jim

[fernando]

Thank you Gentlemen for keeping this discussion going on.
Interesting to read your honest, though diverse, currents of opinion.

Thanks a lot Cornelis, for your input and for the pictures of your beautiful rapier by Clemens. There realy are close similarities between your example and mine.
I am rather intrigued that, being the seller of my sword a German, with a significant knowledge of antique weapons, did not hesitate to classify it as an estoc bladed rapier of the Milanese fencing school.
However reading your considerations supported by your Clemens example, i am about to digest the possibility of my piece being also German.

Herewith a couple close up pictures of the grip wire wrapping, to help try and discern its possible age.

.

[cornelistromp]

Hi Fernando,

herewith some pictures that will help you to digest the matter of the pommel
and also helps me to confirm the German origin.

best regards