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#1 | |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,587
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![]() Quote:
Nicely researched Chris, and well made points on the social importance of smallswords in the 18th century. It is quite true that all this fashion did call for a great degree of selection in the styles befitting the gentleman, and the cutlers did thier best to accomodate by cataloguing various styles and features to order. Many of these pattern books have been the mainstay of the esoteric quest for smallsword research, and would have possibly even been known to theatrical outfitters. Ron thank you for the kind note on my suggestion, and in my opinion even these kinds of weapons have thier own degree of novelty niche'. I recall interesting stories and even movies about the mid to latter 19th century travelling theatrical troupes, which had a history all thier own, as they portrayed classical and historical themes. I would guess that the unusually rounded tip on the blade would have prevented any accidental cuts on stage. All best regards, Jim |
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#2 |
Member
Join Date: Aug 2010
Location: Sydney Australia
Posts: 228
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Hi, Jim.
Indeed, the rounded tip was no doubt useful. Good ballet dancers are hard to replace. ![]() On that point, there were several small indentations and marks all the way along the sword, as if it had been used in a mock sword fight. These only made sense when I realised it was a theatrical sword. Certainly, it made no sense at all when I thought it might be a court or masonic sword. Interesting, because I've not seen those kinds of marks on any real swords. And it just goes to show the way people imagine the way that swords are fought with is probably quite different from the way they were employed in a real life fight. No doubt the actors/dancers here engaged in a lot of knocking swords together and prancing around on stage, and very little true cut and thrust. |
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#3 | |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,587
|
![]() Quote:
Hi Ron, Absolutely, and it does seem almost comical in a sense when we think of those staged combats as they must have appeared in todays terms, but at the time they must have well carried the theme of the production. Those very same theatrics were of course the ancestors of the wonderful old classic films with Fairbanks and Flynn, the swashbuckling action, and the very cause of my lifelong affliction with the study of swords and arms. ![]() I recall there was a course offered in college at one time that was indeed called 'Stage Combat', and was a fencing course attuned to using actual fencing technique in somewhat exaggerated sense as would be expected. I believe the 'tutus' were optional ![]() All the best, Jim |
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