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#1 |
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Join Date: Jan 2005
Posts: 176
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I like the first one. The second one is also nice, but is way over re-sharpened, the blade looks strange. Call me mad but, the patina looks BEAUTIFUL! I would keep it as it is if I were you.
EDIT: One question, are the hilts loose? This issue is very common with tulwars, both new and antique. Last edited by M.carter; 12th June 2005 at 01:20 AM. |
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#2 |
Vikingsword Staff
Join Date: Nov 2004
Posts: 6,336
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Henk , the only thing I would check is if these blades have been varnished or lacquered ; if they have then I would think that removing the old applied finish would be acceptable .
Then I would apply Rennaisance Wax as a substitute . As you probably know it was not unusual for collectors of earlier times to varnish or lacquer their pieces to prevent rusting . They are all beauties . IMO sharpening shows an active career for the sword . |
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#3 |
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Location: USA
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Henk,
Is the straight-bladed example edged on both sides or is it a "back sword", edged only on one? Is it sharpened at all? The tulwar hilt is not condusive to the thrust with a straight blade, as it doesn't permit the wrist extension necessary. I'm puzzled by the mating of what appears to be a thrusting blade with this form of hilt. Thank you for sharing these with us, Henk. ![]() |
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#4 |
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Join Date: Dec 2004
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Mind you it's pretty dandy for a backhanded thrust of the sort that can be sent around a sheild.
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#5 |
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Join Date: Dec 2004
Location: The Netherlands
Posts: 1,209
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Gentlemen,
First I want to thank you all for your input. I was struck by these three tulwars and the kukri in the box. The other stuff was with it. Jens, For your information, and it is not allowed to mention prices, when I devide the total amount to the 10 pieces I bought I could tell the Mrs. that it was a bargain ![]() Please give me some time to make the pictures you're required. Maybe tonight I have some time to spare or tomorrow. But I will make them. The three copper dots are in a row. From the first dot to the last one, you can divide the distance in three sections. The first dot is under the hilt in the middle of the blade. The second one is two/third lower towards the tip against the back of the blade and the last one is on one/third distance from the previous one in the tip. The first and the last dot are visible on the pics. This one is certainly my favorite, just as the third one is. M.Carter, The hilts are not loose. Only the cap from the second one was conected with a wedge in the pommel. That wedge is gone so i have to try to make a substitute. Maybe a metal one. That's the only point, but all three are battle ready. Rick, All three the blades have been sharpened. The first and the second one on the entire edge. The third one only the point. Just like it was used for fenching. The patina of the first and the second one is "original" and no spurs of varnish or lacquer. The third one is lacquered and should be cleaned. Any ideas what the most safest way is to remove the lacquer? I really wish to threat them as babys. Last but not least, Andrew, The straight bladed one is edged on both sides. As mentioned above it is sharpened on the tip. These kind of blades with such a hilt were called "Firangi" according to Stone. But these weapons used to have a khanda hilt. If i compare a khanda hilt to a tulwar hilt, the main difference is the spike at the end of the pommel. If i look to the end of the pommels of the first and the second one, they are finished off very well with a round knob. It looks to me that some idio... took a metallsaw to cut off the large end because it didn't fit into his ....??? ![]() It's my pleasure to share these ones with you and learn about it. |
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#6 | |
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Join Date: Nov 2004
Location: USA
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It just seems like an unlikely mating of handle/blade. ![]() |
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#7 |
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You're right Andrew. When I quote Stone: "FIRANGI, FARANG, PHIRANGI. Literally the Portugese, or foreigner. A Mahratta cut-and-thrust, straight bladed sword. The blades were either imported from Europe by the Portugese, or made in imitation of them. Broadsword blades with either three or four shallow grooves were the most common, but rapier blades were also used.The hilts were of the khanda type, with broad guards, and disk pommels with curved spikes on them. Most of the blades are of the 17th century, though some are of the 16th."
Last edited by Henk; 12th June 2005 at 04:56 PM. |
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#8 |
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Hmm, yes well Andrew, I think it is a yes and a no. True that farangi refers to Indian swords with a foreign blade – and this blade surely is foreign – but farangis have khanda hilts, not tulwar hilts, and this is, I think a special tulwar hilt on top of it all, we will see when we get more pictures. What makes a farangi a farangi? Is it the blade or the blade and the hilt? I think we can agree on that a khanda hilt with a foreign blade is a farangi, and maybe this one is too, but it is most unusual to see a blade like this with an unusual tulwar hilt – is this a farangi? Maybe you are right, but I am not quite convinced at the moment.
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#9 | |
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Location: USA
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#10 | |
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Interesting the diversity of opinion on the obstructionism or nonobstructionism of the tulwar pommel. If the grip fits your hand (this is after all important), and the pommel hurts you it's because you're using motions meant for/learnt from other swords. you don't snap your wrist when cutting with a tulwar as you can with many swords; you can't. You have to slash; it will not permit a hack. This may be meant to enforce proper cutting for greater affect, but also may foster a technique less liable to damage the wrist and/or lose the sword when cutting from horseback. |
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#11 |
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On tulwar hilt vs khanda hilt, AFAIK the "spike" (it's really a handle for left hand flips and long ones can be used in blocks though I don't know if that's traditional) is not the only difference, and like some others is not universal (ie some tulwars do have a long "spike".). There is the grip, curved and cylindrical on the firangi, straight and swelled on the tulwar (yes, another nonuniversal). There is the flat plate quard, with its boatlike upward curve that seems greater than the cupping affect of a tulwar's quillons, and the quillons under the plate, with their resemblance to the ganga of kris sundang (and often with baca like features). There are the superlong and often rivetted down lagnets, which are probably the biggest difference. There is the angle of the pommel; more often more forward on firangi or khanda than on tulwar.
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