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				Location: Germany, Dortmund 
				
				
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			The nose of the hilt is reglued and the big crack at the left side is filled with wood putty and at last the hilt is oiled with wood oil. The wood putty is on the pictures grey from the flash but in nature it is black and have nearly the same colour as the wood.
		 
		
		
		
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		#2 | 
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			The blade is cleaned now and I have completed the keris again with an auxiliary-pendokok. Here the pictures.
		 
		
		
		
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		#3 | 
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			 Keris forum moderator 
			
			
			
				
			
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			Nice job Sajen.   
		
		
		
		
		
		
		
	 
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		#4 | |
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			 Quote: 
	
    I am very very happy with this keris and still can't believe how much luck I have had to get it. And I am thankful for all the good restore tips I have got.  
		Last edited by Sajen; 6th May 2010 at 07:05 PM.  | 
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		#5 | |
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			 Quote: 
	
 Let me first say I really see you did it skillfull and seemly with pleasure. The makeover however of the scabbard in special is something I really don't unterstand,what I should like ( but I'm not a keris collector!!) is just that enormous old patina on the scabbard !   Arjan  | 
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		#6 | 
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			Arjan, I believe it was the dirt that Detlef has removed   
		
		
		
		
		
		
		
		
			  And all the real patina is still there   
		Last edited by Tatyana Dianova; 7th May 2010 at 11:28 AM.  | 
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		#7 | 
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			Tatyana is correct Arjan.  
		
		
		
		
		
		
		
	Patina on wood is defined as a shine or gloss that is produced by polishing over an extended period of time. Dirt does not equal patina. Once the dirt has been removed, then the true patina can be seen.  | 
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		#8 | 
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			 Member 
			
			
			
				
			
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			Patina is not very easy to define. 
		
		
		
		
		
		
		
	In some circles patina is seen as a (green) discoloration of metal, either caused by time, or by chemicals. In ethnographic collecting patina is seen as all changes that come to an object during its life time. This also includes dirt. For example, I can not imagine that you would take an old fetish statue from Congo and decide to gently remove the dirt in order to reveal its true patina   In this case my choice would have been to leave the dirt or at least some of it.  | 
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		#9 | 
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			We all have our own preferences, true, but words do have a definite meaning, and that meaning is set down in dictionaries. 
		
		
		
		
		
		
		
	The original use of the word patina applied only to bronze, and described the usually green incrustation that old bronze can achieve, however as time passed this use was extended to other materials, in respect of patina as it applies to wood, the meaning is pretty much as I gave it:- the gloss or sheen on wooden furniture produced by age and polishing (Oxford). This is also the way in which the word "patina" is understood in the antique furniture trade, it is not just an empty dictionary definition. In the English language use of the word dates from about 1750. However, dirt is something different to patina:- dirt hides patina, it does not enhance it. If we like dirt on something as evidence of its age, that is a personal preference, and I would never speak against personal preferences. But dirt is not patina. In respect of keris, we are dealing with an iconic cultural object. It is in fact disrespectful to the spirit and inherited presence of a keris to leave it accomodated in dirty or inferior dress. If we choose to retain the old dress that it is in when we acquire it, that old dress should be put into as good condition as is possible, out of respect for the keris. However, if the old dress has already deteriorated beyond a restorable state, then we should provide the keris with new clothes. In my opinion Detlef has acted in exactly the right manner where the keris under discussion is concerned:- he has paid respect to the keris and he has sympathetically restored and cleaned the existing dress, which will ensure that it is preserved for the future.  | 
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		#10 | |
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			 Quote: 
	
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		#11 | |
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			 Quote: 
	
  
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