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#1 | |
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Join Date: Jan 2006
Posts: 936
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Attached image is of Indian, 18th Century carved sandstone column base with stylised and overlapping acanthus leaves. The shoulder is decorated with large lotus petals. Their simple and generous proportions contrasting with the intricacy of the acanthus leaves below. The column base is surmounted by an eight-petalled floral dais. The carving in yellow sandstone and the design of this column base are characteristic of the Rajasthani city of Jaisalmer, a city of mystic beauty enclosed within the walls of an exterior fortress with ninety-nine projecting bastions. Built by Jaisal in the twelfth century, it includes a palace and various groups of residences, all characterised by balconies, windows and entrances carved so exquisitely as to form a true jewel of Rajput craftsmanship. References: 1. Bianca Maria Alfieri, Islamic Architecture of the Indian Subcontinent, 2000, p. 286 and the photograph on p. 284 in which Alfieri illustrates the balconies, windows and carved decoration characteristic of the style of Jaisalmer with its many contrasting tiers carved with a multiplicity of designs as seen on this column base. |
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#2 |
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Join Date: Dec 2004
Location: Bay Area
Posts: 1,664
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Some comparison between the decoration and manufacturing techniques of yataghans and women ornaments collected in Bulgaria. Also included a barrel band from an old Bulgarian rifle. Many thanks to my friend, who provided the images.
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#3 |
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Join Date: Dec 2004
Location: Europe
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Hi Alex,
Yes the chevron and the acanthus designs are both very interesting and were used a lot. Building decorations, textiles, miniatures and many other daily things should be used to find the sources to the weapon decoration. This, together with a lot of other things, will, if can cope with it all, give you a reasonable idea about from where the weapon may origin. Happy hunting ![]() Jens |
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#4 |
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Join Date: Dec 2004
Posts: 736
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I have a curious dagger which was discussed here (please scroll down a bit to see it) :
http://www.vikingsword.com/vb/showthread.php?t=5784 The most interesting part of it is a stamped upper mount of the scabbard, which depicts three women. All parts fit to each other perfectly and look like they were put together a very long time ago. The seller told me that this dagger was the part of a private German collection put together at the beginning of the 20th century. Yesterday I seem to have found the key to the mystery, where this dagger was made (or at least put together)! Take a look at the picture of the Hindu silver amulet from the northern India, rural Himachal Pradesh. These amulets are very typical for this region and appear only there, so I am pretty sure that the dagger originated there too! These amulets depict in a very distinctive manner three figures, side by side, wearing full skirts, and 3-lobed hats or crowns. It is a traditional folk image representing the Mother Goddess (Hoi Mata) as a trinity. Hoi Mata presides over the well being of the family in the local folk beliefs. (Sources: Oppi Untracht “Traditional Jewelry Of India”, Google :-) |
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#5 |
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Join Date: Dec 2004
Location: What is still UK
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Great stuff. It might still be Kalash an hindu island in Chitral? The work on the handle is very much "Khyber style" for want of better words.
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#6 |
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Join Date: Dec 2004
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Tim, I have looked for Kalash information in Wiki, and they have some women godesses too, but unfortunately I have found no images or descriptions of them... Kalash live "between" the Himachal Pradesh and Afghanistan, so it is still possible that the dagger was assembled there
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#7 |
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Join Date: Dec 2004
Location: Europe
Posts: 2,718
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Tatyana – very well done.
In this Memory Game called collecting it is always exciting to find a ‘new’ part – thank you for showing it ![]() I think there can be little doubt that you have found the place of origin for your dagger – congratulations ![]() ![]() Jens |
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