Keris and Rembrandt

ganjawulung · 16th April 2010, 02:59 AM

Examining the "Rembrandt's Keris" in his painting of "The Blinding Samson" (1636), of course is not like examining a Banten keris in Jensen's Krisdisk -- for instance. Or like watching this "blade-gripping a seven luks Carubuk" like this too (picture). So, IMHO, it is not important -- whether Rembrandt was painting a Carubuk or Banten keris in his "Blinding Samson", or a Kidang Soka in Maduran walikat sheath.

This was "Rembrandt's Keris", of course. No matter what dapur it was. It was his expression at a certain mood in a certain time in the past. Why gripping the keris not in the keris' hilt, this was of course his liberty in expressing certain idea. For me, it is more interesting to look back at the biography of this one greatest painter in Europe.

Rembrandt Harmenszoon van Rijn (you may browse anywhere) -- (July 16, 1606 until October 4, 1669) was living in the period of the golden era of the famous multi-national corporation VOC (Vereenigde Nederlandsche g'octroyeerde Oost-Indische Compagnie). No wonder, if he owned some "Indonesian thing" in his life. Many building, and even the city of Batavia (Jakarta now) was built during this VOC period. (The National Museum of Jakarta still exists, until now).

In the journey of his life in painting -- The Blinding Samson was expressed in his "Amsterdam Period" (1632-1636) where he used more biblical and mythological theme in his paintings.. But in dramatical way.

So, not important whether this "keris like object" was a Carubuk, Kidang Soka or whatever dhapur. It was "Rembrandt's keris".... It is a painting. Not a photograph.

GANJAWULUNG

Rick · 16th April 2010, 03:07 AM

Yes, it is a painting; famous one .

Still, what does the use of a keris represent in this classic 16?C painting .
Is it allegorical ?

Why should Sampson be blinded by a keris as the chosen weapon ??

16th April 2010, 02:59 AM	#1
ganjawulung Member Join Date: May 2007 Location: J a k a r t a Posts: 991	Examining the "Rembrandt's Keris" in his painting of "The Blinding Samson" (1636), of course is not like examining a Banten keris in Jensen's Krisdisk -- for instance. Or like watching this "blade-gripping a seven luks Carubuk" like this too (picture). So, IMHO, it is not important -- whether Rembrandt was painting a Carubuk or Banten keris in his "Blinding Samson", or a Kidang Soka in Maduran walikat sheath. This was "Rembrandt's Keris", of course. No matter what dapur it was. It was his expression at a certain mood in a certain time in the past. Why gripping the keris not in the keris' hilt, this was of course his liberty in expressing certain idea. For me, it is more interesting to look back at the biography of this one greatest painter in Europe. Rembrandt Harmenszoon van Rijn (you may browse anywhere) -- (July 16, 1606 until October 4, 1669) was living in the period of the golden era of the famous multi-national corporation VOC (Vereenigde Nederlandsche g'octroyeerde Oost-Indische Compagnie). No wonder, if he owned some "Indonesian thing" in his life. Many building, and even the city of Batavia (Jakarta now) was built during this VOC period. (The National Museum of Jakarta still exists, until now). In the journey of his life in painting -- The Blinding Samson was expressed in his "Amsterdam Period" (1632-1636) where he used more biblical and mythological theme in his paintings.. But in dramatical way. So, not important whether this "keris like object" was a Carubuk, Kidang Soka or whatever dhapur. It was "Rembrandt's keris".... It is a painting. Not a photograph. GANJAWULUNG Attached Images

16th April 2010, 03:07 AM	#2
Rick Vikingsword Staff Join Date: Nov 2004 Posts: 6,336	Yes, it is a painting; famous one . Still, what does the use of a keris represent in this classic 16?C painting . Is it allegorical ? Why should Sampson be blinded by a keris as the chosen weapon ??