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Old 27th August 2021, 03:49 PM   #6
awdaniec666
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Thanks again for those kind words!
You made few interesting points there Jim on which i wanted to briefly respond here, but get into in detail in a later part.

Quote:
Originally Posted by Jim McDougall View Post
"(...), it required an uncomfortably high position of the hand and continuous parrying with the blade only instead of with blade, quillons and guard".
I think it was Zablocki who reported the "standart stance" for fencing with karabela-type sabers was the "seconde", for those who arent familiar with that: This means you hold the weapon with a very slightly bent ellbow with the hilt on the height of your eyes and the tip pointing in an angle of about 45 downwards and a little forward towards the opponent. I used to use this stance in a different saber-school and can say that it really tires your arm in the beginning but you get used to it. The main benefit of that stance is according to F.C.Christmann (German fencing master of Napoleonic dragoons and author of a fencing manual published in 1838) in beeing able to apply a lot of force into a cut by using the leverage of your wrist only ("moulinet-like-cuts").

Quote:
Originally Posted by Jim McDougall View Post
It is also noted that parade or dress examples often had damascene blades while combat versions had the same type blades as hussar sabers.
I would love to see examples of those since I honestly cant remember seeing a damascene or wootz blade mounted on a karabela. But I know a lot of older battle-blades were mounted later on parade versions.


Quote:
Originally Posted by Jim McDougall View Post
Apparently by second half 19th c. most examples were made in Cracow, Lvov and Vienna.
Indeed! Just to bring two names of decent karabela makers: Ignacy Hofelmayer from Cracow who worked in the mid 19th century and creating Karabelas in such a way that a lot of auctions houses nowadays have problems in telling the age and declare them as 18th century. I think price wouldnt be the reason since Hofelmayer sabers are very desired. Another makers were in Munich. Their names were Thomas and his son Johan Baptist Stroblberger. The father founded the workshop in 1791.
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