Late Gothic Crossbows and Accouterments

[Micke D]

Aha, I have seen an extremely nice S-marked crossbow with a hook for the riemenrollenspanner at Deutsche Jagd- und Fischereimuseum Munich, but i didn't know that the S on it stood for Straubing.
Nice to learn more things, and I would very much like to see more photos of these crossbows!

/Micke

[Matchlock]

Well, Micke (and all!),


After an hour spent scanning my 25 year-old analog photos and photoshoping, here finally are the two Gothic war crossbows from the former arsenal of the City of Straubing, Lower Bavaria, and a third Straubing crossbow in the Deutsche Jagd- und Fischereimuseum Munich now.
As not a single one of all the Straubing weapons has been on display since the 1960's nobody knows them - nobody but me. I photographed them in the reserve collection.
With their long, slender and almost delicate tillers they still reflect the High Gothic stylistic taste of ca. 1400, and were pobably made in about 1430-40. Together with the fine sample from the Harold L. Peterson collection, which now is in the collection of a friend of mine, they range among the earliest surviving crossbows, not much younger than the oldest known specimen of ca. 1400, preserved in the Stadtmuseum Köln (Cologne).

The tillers of all three of the Straubing crossbows are branded at the right-hand forward section with a capital letter S, the 15th c. arsenal mark of Straubing. They are still equiped with the iron hook for engaging the cord of the pulley (Riemenrollenspanner), the predecessor of the cranequin, which - telling by the oldest known records of period artwork, especially altar paintings - seems to have entered the scene around ca. 1440.

The measurements of the two crossbows still preserved in Straubing are:

1. tiller length 89 cm, length of composite bow (stated to be of yew wood in the 1882 inventory) 76 cm, diameter of bowstring 1.25 cm, position of nut 24 cm rearward of the staghorn foresight, length of iron tiller trigger 45 cm, iron stirrup 12 x 10 x 9.5 cm, maximum thickness 2 cm. The original leather binding of both the bow and stirrup missing.

2. tiller length 85 cm, and consisting of either limewood or maple, length of composite bow 73 cm, retaining traces of red paint at both ends, position of nut 25 cm rearward of the staghorn foresight, length of tiller trigger 43 cm, iron stirrup 14 x 9.5 x 12 cm. The original leather binding of both the bow and stirrup missing.

The 1882 inventory is remarkable for listing two more crossbows of exactly this type, one of them in all probability being the specimen in the Munich museum of hunting and fishing referred to above, plus a third one of late 15th c. type, and equiped with tiller lugs for engaging the cord of a cranequin. All three of them must have been deaccessioned between the two World Wars of shortly after WW II.

Author's photographs.


Best,
Michael

[Matchlock]

The remaining photos of the second Straubing crossbow, plus some of the former Straubing crossbow that is in the Deutsche Jagd- und Fischereimuseum Munich now, the tiller also branded with a capital letter S, the 15th c. arsenal mark of Straubing.

Author's photographs.


m

[Matchlock]

Another Late Gothic war crossbow, 2nd half 15th century, in the Deutsches Jagd- und Fischereimuseum Munich, and a contemporary quiver, the wooden core covered with boar skin (heavily rubbed), the hinged leather lid missing from the top.

Author's photographs.

m

[Matchlock]

Not quite within the timeframe of this thread but also on display in the Deutsches Jagd- und Fischereimuseum Munich are these cossbow bolts for target practice; contrary to the finely made Krönlein-Bolzen (crown's head bolts) of ca. 1520-40, these are of 17th/18th c. date and show significantly less swamping and craftsmanship of their heads.

They sometimes turn up at an auction and usually are dated '15th/16th c.' which is way too early.
For comparison, I attached photos from such bolts in international auctions; only one single war bolt in the second lot is of 15th/16th c. date. The crown heads of crossbow bolts for target practice that actually were made in the 1st half of the 16th c. were much more elaborate. Once seen contrasted side by side, the difference is striking.

Autor's photographs.


m

[Matchlock]

Three more photos belonging to the previous post.

m

[Matchlock]

For comparison, some finely wrought crown's head crossbow bolts (Krönlein-Bolzen) of ca. 1520-40 (the three in the center), the others 17th/18th c.

m

[Matchlock]

Two Late Gothic cranequins in the Deutsches Jagd- und Fischereimuseum Munich.
The first Nuremberg, ca. 1480-90, the crank making a bad fit and most probably not belonging. The maker's mark inlaid in brass, two crossed arrows, is a well known Nuremberg workshop mark that obviously was struck over more than 50 years and, of course, from various stamps. It is found on cranequins ranging from the late 15th (this cranequin in discussion) to the mid-16th century (a cranequin dated 1540 in the collection of a friend is the latest dated sample I know of), many of which are dated. It is also known in some variations from a heavy wrought-iron haquebut barrel of ca. 1460/70 and from finely wrought Nuremberg arquebus barrels dated 1537 and 1539 respectively. Thus it must have belonged to a prolific Nuremberg ironworks workshop.

Please see
http://www.vikingsword.com/vb/showth...bow+collection
and
http://www.vikingsword.com/vb/showth...lock+harquebus

The second ca. 1500, combining old stylistic elements like the claws and the brass inlaid lid of the gear case pierced with Gothic tracery, with new features characteristic of the Early Renaissance period, like the relatively broad and short rack.
The date assigned by the museum, 'ca. 1560', falls far short of reality.
The maker's mark, a serpent inlaid in brass, is known from other contemporary cranequins. The side of the gear case is pierced twice with the Gothic ornament of a quatrefoil.
There is a recess on both sides right before the claws, possibly a former dovetail for two small brass plates that would have perfectly matched the brass covered gear case. The combination of wrought iron and brass is characteristic of ironworks of the transitional Late Gothic/Early Renaissance style at the turn of the 15th to the 16th century.


m

[Matchlock]

The damaged wooden crank handle of the cranequin discussed in the previous post.

[Matchlock]

A fine, early 16th c. crossbow in the Deutsches Jagd- und Fischereimuseum Munich, the slender tiller completely veneered with plaques of white staghorn and decorated with incised parallel lines.
This object marks the first stage of the utilization of wrought iron bows instead of using bows composite of laminated and glued horn and wood. In many instances - and obviously in the case of this piece in discussion! - , the composite bow was replaced by an iron one, which is visible because of the wider recess at the front of the tiller required by the composite bow that had to be filled with wood; thus, the tiller was recycled and modernized.
This bow retains its original coating of parchment or paper dyed in the basic Late Gothic colors red, green and white.

Attached below is a photo of an interesting object: a cranequin etched, signed and dated HZ 1630. As the overall appearance suggests a date of 'ca. mid 16th century' I am prone to believe that the etched decoration may have been added in 1630. Any opinions on this thesis?


m