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Old 20th August 2023, 01:08 PM   #1
mariusgmioc
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Originally Posted by Gavin Nugent View Post
My understanding from Malaysian colleagues is that it is purely the hulu shape that is the defining factor vs regional or status material flair.

Do you not consider 4 of Detlef's as Pepper Crusher hulu? I'd certainly consider #3 & 4 in this this image as Tumbuk Lada.

http://www.vikingsword.com/vb/showth...0Tumbuk%20Lada.
3... definitely classic tumbuk lada (you must notice the slightly different scabbard as well).

4... I would call "sewar"... a rather classic one in my eyes.
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Old 20th August 2023, 02:03 PM   #2
Gavin Nugent
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3... definitely classic tumbuk lada (you must notice the slightly different scabbard as well).

4... I would call "sewar"... a rather classic one in my eyes.
I do notice all the differences amongst the variations of sewar and tumbuk lada presented.

Sadly Zonnevelds book lacked Malay examples, the images focus on the classic Sumatra style, yet it is very clear in the text what the hulu of the type resembles, which (and I'm happy to provide more images) is that seen in #4 too. It has all the classic curves, peaks and angles that the big brother next to it has.

Here also is the extract from Gardner, 1936 from which Zonneveld presented the text, it may or may not offer clarity.
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Old 20th August 2023, 07:03 PM   #3
mariusgmioc
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I do notice all the differences amongst the variations of sewar and tumbuk lada presented.

Sadly Zonnevelds book lacked Malay examples, the images focus on the classic Sumatra style, yet it is very clear in the text what the hulu of the type resembles, which (and I'm happy to provide more images) is that seen in #4 too. It has all the classic curves, peaks and angles that the big brother next to it has.

Here also is the extract from Gardner, 1936 from which Zonneveld presented the text, it may or may not offer clarity.
Very interesting! Thank you Gavin!

The border between sewar and tumbuk lada is indeed fuzzy.

So, then I guess that no4 could be called tumbuk lada too.
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