Identifying 3 hilts

[A. G. Maisey]

Calon Arang & Rarung are both female.

I cannot clearly see if this figure has the attributes of a woman, but it appears not to have.

[milandro]

The version of this carved hilt that I have appears to have breasts, and on account of this I’d say it may look female at least in the intentions of the carver. I understand that other elements that we in the west may suppose feminine aren’t necessarily so especially in the Balinese iconography, but the general “ feel” is that this is a feminine entity. Whether Rarung or otherwise.

I found remarkably few references (in western Internet) to Rarung and no Iconographic source (other than this one above ) to compare to my carved figure on the Hilt of may Balinese keris.

But here are picture of this hilt for you to see.

[Gustav]

I find interesting, that this recently carved figure, which perhaps could be identified as Rarung, holds a piece of fabric in each hand.
(In Barong play Rarung has a red magic cloth, which makes her invisible, when put over the head, but serves also other purposes during the play)

An older Bali Wadon hilt of David possibly has a piece of fabric in one or both hands.

Finally the old Wadon hilts from 16/17th centuries hold a piece of fabric in the left hand.

In modern Barong play Rangda has a piece a piece of magic fabric, called Kekudung or Kekereh, which makes her invisible when put over the head. Also Barong himself has such cloth.

Under the many layers of possible simplification/trivialisation/vulgarisation perhaps the same thing can be supposed as origin of this.

[milandro]

Thanks, interesting remarks.

I wonder if there is anything specific in the Rarung story (or any other traditional character ) which would specifically be connected with the feature, to me very striking of the face being covered by the hair.

It seemed to me that should be a distinctive feature, present in both these carvings ,but ( please, correct me if I am wrong, I know you will) not very common in general .


ADDENDUM: I have found a description of the Calon Arang story

https://australian.museum/learn/cult...inting-e74214/

She is a widowed woman which at some point of the story transforms herself into Rangdna ( I am quoting from the link)

"The fifth scene has two parts: on the left the Minister and his party attack Calonarang, who is asleep without her headdress and with hair loose, in a pavilion within her house. In the right section Calonarang has transformed herself into the invulnerable witch Rangda. She is shown incinerating the minister, while his followers are dismayed and prepare to flee. Some versions of the story suggest that Calonarang was actually killed while still asleep and only then assumed her magical form and retaliated...."


So this may be really Calon Arang (in a way so this is just before she turns into Rangda )

[David]

Originally Posted by A. G. Maisey

Calon Arang & Rarung are both female.

I cannot clearly see if this figure has the attributes of a woman, but it appears not to have.

I have seen many fairly recent examples of this hilt form that are all clearly meant to be female so i believe it is safe to assume this one also exhibits some feminine form if viewed from the right angle.
Still had to be sure if it is meant to represent Calon Arang or any other specific female character though. I don't believe i have ever seen this form in an antique hilt. If anyone has an antique example i would love to see it. But until then i consider this form to be contemporary in nature.

[A. G. Maisey]

The carver might know what he intended to carve --- on the other hand even he might be a bit curious about exactly who he finished up producing.

I have watched carvers --- and silver chasers too --- allowing their hands to work quite independently of their attention, while they talked, smoked or watched TV.

[milandro]

I have come across this very crude example of an ultramodern (and rather unfinished) hilt with some character with the hair covering the face, I can’t say who this may represent but again just showing it to show the fact that this theme , rare though it is, surfaces every now and again.

[milandro]

found another depiction of this deity, also this identified as Rarung