New/Modern Uzbek Pchak

Bob A · 23rd February 2020, 04:03 PM

I agree that it' "good art" as well as ethnographic; however, it seems to me that there is still a quantum leap between the culture that created the kards we've seen and collected, and the current culture and its exemplars.

Much of the "draw" of ethnological edged weaponry, for me at least, is in the connection between what was, and is no more, and myself, looking back.

The idea that objects are a nexus which creates a link between disparate individuals over a distance of space and time is, of course, magical thinking. Yet it it exists, and is undeniably a powerful force. I've chafed at the reality that an old pocketknife, for example, can attract the attention of enough individuals that its value to this group is increased a hundredfold because it was once held by Lord Byron, rather than some nameless Greek gentleman.

23rd February 2020, 04:03 PM	#1
Bob A Member Join Date: Feb 2014 Posts: 436	I agree that it' "good art" as well as ethnographic; however, it seems to me that there is still a quantum leap between the culture that created the kards we've seen and collected, and the current culture and its exemplars. Much of the "draw" of ethnological edged weaponry, for me at least, is in the connection between what was, and is no more, and myself, looking back. The idea that objects are a nexus which creates a link between disparate individuals over a distance of space and time is, of course, magical thinking. Yet it it exists, and is undeniably a powerful force. I've chafed at the reality that an old pocketknife, for example, can attract the attention of enough individuals that its value to this group is increased a hundredfold because it was once held by Lord Byron, rather than some nameless Greek gentleman.