Old Dutch hanger

[M ELEY]

Hello Anandalal,

I'll have to take a shot of the whole blade as soon as I get a chance. The blade is just like a falchion's, swelling toward the point and then coming to the typical edge. I still feel Cornelis has nailed this one on the head, being of Singhalese origin where it possesses just enough of the kastane's features to show its origins while pointing to a weapon for export to the Dutch market. The sword mentioned in the previous volumes is a hanger with fine ivory hilt in this exact pattern, only much more detailed. It was listed as Singhalese and made probably for the Dutch EIC, although the pic doesn't show any marking to stake this theory of company use down concretely.

The heraldry you list does indeed show patterns of diamond-like dots and as seen on the dump coin, they used this pattern as found on my sword. My personal opinion as to the origin of this cross-like pattern of diamonds is that it goes back to the early Ceylon empire and the maneless lion coin I mention above dating to 200 A.D. Perhaps when the Shri Lanken people began creating the lion-hilt swords, they remembered their ancient lion coins and it's symbol, placing it here.(As both you and Jim pointed out, they had a great fondness for the lion in their culture). Later, as the Dutch produced coins and later swords, they might have adapted this early marking. This isn't too much of a stretch as Jim pointed out that the stuvier also has what appears to be possible Tamil or Singhalese symbols. Just a theory, but it could fit. In any case, I feel mid/late 17th c. Perhaps mine was an early native model for the later prized copies or was made after them in appreciation for their patterning.

[Jim McDougall]

Hi Anandalal,
Im glad you came in on this as well. I was looking forward to yours and Cornelis' thoughts on this outstanding piece, as not only do you both constantly offer asutely well placed observations and examples, but your obvious places in Ceylon and Holland respectively is well placed.

Interesting notes on the therionthropic properties of the lion, which I believe are more toward the theological mythology figures of Hinduism incorporating the lion of Sinhala, in a European style with human limb features. I think this is more the effect sought rather than toward any shamanic properties.
While the lionhead was key in the 18th century hilt motif in Great Britain by about the period of this sword, as noted it also was present in the gold lionheads in Holland.
In addition to that European influence, as you have observed, the opposed or alternating quillon terminals are indeed a European affectation seen often on many hilt configurations, especially on hangers. It may be pointed out that this feature also became apparant in a number of weapons such as the dadao in China and others.

It is important to emphasize the nature of this sword, which actually corresponds to the swords of the European gentry which became known curiously as 'pillow swords' as it was thought they were kept as personal protection in personal chambers. Actually these simple cross hilt swords were 'walking swords', and intended to represent status in a fashionable accoutrement sense. While the fragile materials of the hilts decry thier effectiveness in pitched combat, their primary function was image, even though they had limited degree as weapons.

Good observation on the four dot star or rosette, and its place in the heraldic use. Actually rather than a strategic symbolic device, I think that most of the interpretations of this device can be construed temporally in many ways. However, it seems quite likely in may simply represent the quatrefoil, which like the four leaf clover is a positively charged symbol representing good luck and in some perspective, the cross.

I still maintain that this sword, like the examples seen in ivory and I believe even crystal (though I have not yet seen an example of these, but the material was used at the time), these status oriented swords were produced in ports of call or trade locations for European consumption rather than use by Ceylonese people. Just as noted earlier, many of these style swords were produced for presentation to important merchants and traders in these regions, as image was of course keenly important in the dealings in trade.
Elaborate and sumptuously decorated hilts represented elevated status of the individual to his clients and prospective buyers, and his success would suggest power and install confidence in transactions, a well known practice through all times and cultures.

A fantastically important and historic sword!!!

All very best regards,
Jim

[M ELEY]

Dredging up this one again concerning the primer on the blade. Opinions as to whether you think this was applied to the blade during time of use to retard rusting (especially if it was a merchant/sea sword where priming the hilts/blades not uncommon) or done later as preservative.

Secondly, if done later, should I attempt to remove it and if so, how?

[M ELEY]

Bumping this thread...

[M ELEY]

Just some better pics updated for posterity-

[kronckew]

Interim tweaked for clarity on the blade details: should clean up well when you stabilize the rust.

[M ELEY]

Thanks for the clarified image, Wayne. Unfortunately, the blade was 'primed' long ago with rust-colored brown paint. I have always been too afraid to try and remove it. I think it was done long ago during the hanger's working life like some other sea swords I've come across to decrease salt water corrosion-