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#1 |
Member
Join Date: Mar 2006
Location: Istanbul
Posts: 228
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Hi,
I must respectfully insist that my reading of the script is correct. The word after amal is (kef-ye-vav-re-kaf) كيورق which can be read as Kevork. That word cannot be read as Kuru for several reasons. Firstly, in Ottoman Turkish grammar there is a rule, "thick" wovels are used with "thick" consonants. Since U is a thick wovel, it should be used with a thick consonant kaf ق not with kef ك . Thus, kuru should have been written as قورو Secondly, in all the scripts the word amal (made by) is followed by swordmaker's name, not by a place name or an adjective such as kuru (by the way, kuru means "dry"). Finally and most importantly, there is a ye ي after kef ك and there is a kaf ق at the end of the word. The reason why some people mistake it for vav و is that in hand writing sometimes a litte tail is added at the end of the letter instead of putting two dots at the top! I am not an expert in workmanship or material of swords. I also know that a script is only a script, it can be tempered, it may lie, it might be added later. But I think guessing scripts from the workmanship might be somehow a problematic method. cheers, |
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#2 |
Member
Join Date: Feb 2006
Posts: 637
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Im betting Zifir is a native speaker I said get his opinion at the beginning. The name doesn't matter it could be added later. Chilla is right its Daghestan work for sure. Velvet sure doesn't matter its probably been replaced twice anyway.
The work and the blade are not Armnenian and not Turkish that is for sure. I think its important to look at what cant be changed in this situation not what can |
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#3 | |
Member
Join Date: Jan 2010
Location: Brussels,belgium
Posts: 2
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Dear Zifir , Thank you for your grammar lesson! ![]() So thank you again. My opinion the same is KURU and the mounts was made by Dagestanian maker ,about the sword for the moment we can only guess from which area of Caucasus is it. Best regards, Chilla |
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