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#1 |
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Join Date: Sep 2008
Location: Bavaria, Germany - the center of 15th and 16th century gunmaking
Posts: 4,310
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Hi Cornelius,
Thank you so much for your both well documented and balanced arguments. Still I beg to differ, my friend. ![]() As I have here stated more than once I do no claim any expertise on the field of edges weapons although never ceasing to point out both repeatedly and insistantly from the art historian's point of view that both are based on the same formal and decorative elements - along with all other contemporary arts and crafts alike of course - and are therefore essentially vital in judging all contemporary works of art correctly. Considering the latter it should be kept in mind as a commonly accepted fact that architecture, paintings and sculpture used to be among the forerunners of a new style while ironworks and - after a considerably long interval - weapons usually were the latest products to adopt the new style and, in consequende, surrender to another afterwards ... Best regards from Bavaria, Michael |
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#2 |
(deceased)
Join Date: Sep 2008
Location: Bavaria, Germany - the center of 15th and 16th century gunmaking
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An illustration by Flavius Vegetius Renatus from his famos work 'Vier Bücher der Ritterschaft' (four books on chivalry), published Erfurt, East Germany, in 1511.
The landsknecht bears a short sword with exactly this type of threefold pommel as on my saber, a halberd and a short arquebus, obviously without a lock mechanism. His companion on the right is equipped with a short sword featuring a pommel of early bird's head shape and lightly curved quillons of earliest Katzbalger type. Best, Michael |
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#3 |
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Join Date: Jul 2009
Location: Slovakia
Posts: 48
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Nicely done research Michael!
As always I am fascinated by your remarkable scholarship and everlasting enthusiasm for the subject ![]() I was wondering if you have access to this beauty in its full glory and could perhaps share it with us, or alternatively point us to the right source... Much obliged, Samuel |
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#4 |
(deceased)
Join Date: Sep 2008
Location: Bavaria, Germany - the center of 15th and 16th century gunmaking
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Thank you very much, Samuel,
![]() The battle of Pavia took place in 1525, the painting is dated 1529 and signed by the artist Rupprecht Heller, nothing about whom is known further. Actually I borrowed a professional slide (cost me more than 300 euro ...!!!) of this painting from the Stockholm Museum where it is kept and had scene prints done, plus a huge size poster of the whole painting but I cannot put this on the scanner ... I attach more details though scanned from a smaller sized scene print of the group of arquebusiers in the foreground. Best as I could do, Michael Last edited by Matchlock; 6th October 2010 at 04:56 PM. |
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#5 | ||
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Join Date: Jul 2009
Location: Slovakia
Posts: 48
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![]() Quote:
Quote:
![]() Cheers, Samuel |
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#6 |
(deceased)
Join Date: Sep 2008
Location: Bavaria, Germany - the center of 15th and 16th century gunmaking
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What I can do is try and take digital pics of the group of lancers (Spießknechte) and post those. The big poster is under glas though ...
m |
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#7 |
(deceased)
Join Date: Sep 2008
Location: Bavaria, Germany - the center of 15th and 16th century gunmaking
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Here are the horsemen lancers, best as I could do - it's under glass, so sorry for the inevitable reflections.
![]() Best, Michael |
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#8 | |
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Join Date: Dec 2004
Location: Portugal
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#9 |
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Join Date: Mar 2009
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Circle/School of Federico Zuccaro
1557-1609 A Swiss Halberdier, standing slightly to right, and a separate study of his left hand and of the halberdier Red chalk, on two sheets conjoined. this corresponds to the earliest known thumbring in Art. the first illustration with this type of thumb ring known, published by A.V.B. Norman, is in the portrait of Melchior Hornlocher by Hans Bock I, dated 1577 (Basle oeffentliche Kunstsammlung, inv NR 80). best, |
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