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Old Yesterday, 07:35 PM   #31
urbanspaceman
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Default clarification

This information came from British surgeons attending the wounded during the Peninsular wars and stated that penetrating punctures could rarely be fully repaired and the patients died, whereas cuts, ever dismembering cuts, could be far more successfully repaired.
The conclusion I came to was if greater attention was given to stabbing then greater death could be achieved.
I have absolutely no idea what sort of weapons we are dealing with here.
ps It was my understanding that bayonets were the main reason why swords became redundant. A Brown Bess with a 20inch bayonet is a formidable weapon, but it should have been backed up with a short cutting blade; unless you are Cavalry of course and I understand it is not sufficiently understood the degree that horses were used in WW1.

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Old Yesterday, 08:15 PM   #32
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I'm going to have to take issue with Radbound's idea that a thrust is always quicker than a thrust.

For a smallsword or rapier held in a very point forward guard this may be true, but cut and thrust swords are usually held in a more upright guard and an effective cut is made by punching the hand forward and tightening the lower fingers while rotating the wrist to snap the sword blade onto the target. No it's not a massive cleave that will lop a limb off, but you don't want to make such an over committed cut that will leave you vulnerable if you miss anyway. The quick snap cut from the wrist often targets the forearm where any slice can be debilitating in a swordfight.

By comparison a thrust from the same starting position would involve rotating the hand to bring the point on line before punching the hand forward, this meaning the hand covers exactly the same distance for a cut or a thrust.
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Old Yesterday, 08:29 PM   #33
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My finale point on the cut vs thrust is always the report of an encounter between a French cuirassier and a dragoon of the Scots greys at Waterloo.

They charged each other and the Frenchman gave point and ran the Scotsman through. The Scotsman realizing he had taken a mortal wound rose up in his stirrups and brought his sword down on the Frenchman's head with such violence that both helmet and skull where split asunder. And they both fell dead upon the field!

Here we see equally deadly results from both forms of attack, however if the cut had landed first the Frenchman would have had no reply. Equally the Frenchman was without defence since his attack had left his weapon stuck, if only briefly, in his opponent. And should the cut have landed upon the Frenchman's wrist before his point went home then the Frenchman would have been one of those survivors of the "less deadly" cut that made it to the hospital and lived. But the cut would have been a winning one by any measure of military effectiveness.

The only worthwhile answer to the debate is that cut and thrust both have their place in a swordfight and a swordsman who has recourse to both has more options than one who must rely only upon one or the other.

Robert
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Old Yesterday, 09:11 PM   #34
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Default fighting, not fencing

Yes, isn't that Peter's point?
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Old Yesterday, 10:29 PM   #35
Bryce
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G'day Guys,
Some examples from my collection of 19th century sword cutlers playing with the design of cutting swords to make them better at thrusting.
Cheers,
Bryce
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Old Yesterday, 10:59 PM   #36
Peter Hudson
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Originally Posted by urbanspaceman View Post
Yes, isn't that Peter's point?
Hi Keith... Exactly...The streetfighter in a bar room melee has more resources to use whereas the more conventional opponent in a boxing match follows recognised set moves and responses... What was needed was a sword armed technique which incorporated those moves used in brawling...The unconventional strike, the smash to the opponents face with the pommel...thus a no rules barred open minded free fighting technique /winner takes all approach. The arguement comes in when sword style becomes the focal point or when fieldcraft ...painting the sword black appears... but its probably a smoke screen... It was all to do with the training where the emphasis was on sword fencing instead of Sword Fighting..
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Old Yesterday, 11:19 PM   #37
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Originally Posted by toaster5sqn View Post
My finale point on the cut vs thrust is always the report of an encounter between a French cuirassier and a dragoon of the Scots greys at Waterloo.

They charged each other and the Frenchman gave point and ran the Scotsman through. The Scotsman realizing he had taken a mortal wound rose up in his stirrups and brought his sword down on the Frenchman's head with such violence that both helmet and skull where split asunder. And they both fell dead upon the field!

Here we see equally deadly results from both forms of attack, however if the cut had landed first the Frenchman would have had no reply. Equally the Frenchman was without defence since his attack had left his weapon stuck, if only briefly, in his opponent. And should the cut have landed upon the Frenchman's wrist before his point went home then the Frenchman would have been one of those survivors of the "less deadly" cut that made it to the hospital and lived. But the cut would have been a winning one by any measure of military effectiveness.

The only worthwhile answer to the debate is that cut and thrust both have their place in a swordfight and a swordsman who has recourse to both has more options than one who must rely only upon one or the other.

Robert
Hello Robert, Fencing technique was drilled home ...depending on what sort of sword was being taught...To have saved the day for The Sword...what was needed was a decision to use one technique of fencing...blended with an open fighting form where all moves were allowed. Emphasis on how to fight than on how to fence... Both schools missed out fighting and filled up their programmes with Fencing...
Regards,
Peter Hudson.
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Old Yesterday, 11:40 PM   #38
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G'day Guys,
Some examples from my collection of 19th century sword cutlers playing with the design of cutting swords to make them better at thrusting.
Cheers,
Bryce
Hello Bryce, Great examples here. I think the sharp Yelman and recurve idea is a well thought out concept.
What I would suggest here is that no matter how much design was being applied on blade style; much of which ended off being part of an arguement on cutting or giving point simply evaded the issue ...and the real concept fault was on technique of training...in the melee where all moves must be allowed...although if you follow my thoughts on this it becomes more obvious that the more facilities you have on your sword ...and in your head to damage your opponent by hook or by crook... and by whatever fighting skills you can use is the essence of how things should have been applied.

My way of looking at an Officer on the battlefield would have been as a gun platform with two pistols both on lanyards plus a sword with all sharp edges and with a spearpoint and spiked pommel...and at least one fighting knife or bayonet. and a couple of grenades...and Trained to Fight not Fence.

Regards,
Peter Hudson.
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Old Today, 12:46 AM   #39
toaster5sqn
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Hello Robert, Fencing technique was drilled home ...depending on what sort of sword was being taught...To have saved the day for The Sword...what was needed was a decision to use one technique of fencing...blended with an open fighting form where all moves were allowed. Emphasis on how to fight than on how to fence... Both schools missed out fighting and filled up their programmes with Fencing...
Regards,
Peter Hudson.
Which was Hutton's complaint in the period, and why he started studying older manuals and eventually produced his own.

Robert
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Old Today, 12:19 PM   #40
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It is baffling to me that there were two very distinctly different swords; essentially the Spike form with IBeams and designed to stab/run through targets and to solidly block incoming strikes... and the more classic Cut and Thrust typically cavalry weapon...so that logically a lesson on both swords, though different in content, could be easily added to with the required techniques to turn the concepts into fighting skills. However I have not the faintest idea why this never transpired and as we know the baby went out the window with the bathwater !!...

It goes without meaning, for example, to have Rifle range zeroing and the various range practices and classification at different ranges from 100 out to 600 yards..yet no fighting skills through field firing exercises....and sniper training in battlefield conditions. It was as if sword fencing or the training of it, had frozen its self solid!

As a matter of interest I was looking at pistols and other personal weapons used by what is now used as skills for skirmishers...used in close quarter battle drills particularly in fighting in built up areas....and that there was a large, essentially available list of pistols and even twelve bore shotgun trench clearing specialist weapons being used in WW1.so that the suggestion to return swords and carry a swagger stick seems just mind boggling!!! The plot thickens.
Peter Hudson.

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Old Today, 03:27 PM   #41
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While there is similarity between Scinde Cavalry hilts, 19th C British Officers Infantry Sword hilts and the Paisley Tie Design it appears that the Cyprus tree gives the Tie Design and the Icanthus the Cavalry Hilt... both Indian designs ...and both very similar.

Both the 19thC British Infantry and The Scinde Irregular Cav hilt shapes are very very closely similar in general shape but the cut floral application is distinct in each but this does not make it any easier to unscramble, however, if something pops up to clarify this bit of the puzzle I will note it for the thread.

Meanwhile I am collecting a pipeback quillepoint Scinde Irregular Cavalry Sword in a few days and should have mastered how to use my new camera by then so illustated pictures can be seen on thread soon.. Please add your 19th C. British swords to thread and feel free to comment..

Regards,
Peter Hudson.

Last edited by Peter Hudson; Today at 03:50 PM.
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Old Today, 04:00 PM   #42
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While the similarity between Scinde Cavalry hilts and the Paisley Tie Design it appears that the Cyprus tree gives the Tie Design and the Icanthus the Cavalry Hilt... both Indian designs ...and both very similar.
Both the 19thC British Infantry and The Scinde Irregular Cav hilt shapes are very very closely similar the floral application is distinct in each however this does not make it any easier to unscramble...but if something pops up to clarify this bit of the puzzle I will note it for the thread. Meanwhile I am collecting a pipeback quillepoint Scinde Irregular Cavalry Sword in a few days and should have mastered how to use my new camera by then so illustated pictures can be seen on thread soon.. Please add your 19th C. swords to thread and feel free to comment..


Regards,
Peter Hudson.
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Old Today, 06:46 PM   #43
Jim McDougall
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Originally Posted by toaster5sqn View Post
My finale point on the cut vs thrust is always the report of an encounter between a French cuirassier and a dragoon of the Scots greys at Waterloo.

They charged each other and the Frenchman gave point and ran the Scotsman through. The Scotsman realizing he had taken a mortal wound rose up in his stirrups and brought his sword down on the Frenchman's head with such violence that both helmet and skull where split asunder. And they both fell dead upon the field!

Here we see equally deadly results from both forms of attack, however if the cut had landed first the Frenchman would have had no reply. Equally the Frenchman was without defence since his attack had left his weapon stuck, if only briefly, in his opponent. And should the cut have landed upon the Frenchman's wrist before his point went home then the Frenchman would have been one of those survivors of the "less deadly" cut that made it to the hospital and lived. But the cut would have been a winning one by any measure of military effectiveness.

The only worthwhile answer to the debate is that cut and thrust both have their place in a swordfight and a swordsman who has recourse to both has more options than one who must rely only upon one or the other.

Robert

A Scots Grey 1796 disc hilt from Waterloo. Heavy and deadly.
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