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Old 6th September 2021, 02:42 PM   #1
JustYS
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Quote:
Originally Posted by A. G. Maisey View Post

Edit

I just added the pic. I'm inclined to think it was intended as lawe, but the outside of the bend in the material has been lost. This material in the pamor was turned at 90 degrees to the blade core & then twisted backwards and forth to create the effect of a series of bends.

Unthuk banyu should not be as regular as this, the bends are created laying the strip of material as mlumah and bending away from and then back to the core, and it might be twisted first before the bending is done.

With lawe the strip of material is oriented miring and bent away from the centre of the blade & then back towards the center.
Thank you Alan for explaining the difference between the 2 pamors.

So is it correct to deduce that pamor Lawe Setukel (miring) is more complex than pamor Unthuk Banyu (mlumah)?

Cheers,
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Old 6th September 2021, 04:19 PM   #2
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This looks like a new blade to me and the pamor pattern is nice but not clearly defined as per the usual standards... In France we would call it pamor Gloubi-boulga (odd and fictious).
I attach the pic of a recent madurese blade with the pamor pattern identified as Untuk Banyu.
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Last edited by Jean; 7th September 2021 at 09:12 AM.
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Old 6th September 2021, 06:26 PM   #3
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And 2 variations of pamor Lawe Satukel patterns.
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Old 6th September 2021, 11:21 PM   #4
A. G. Maisey
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I wouldn't say that lawe is more or less complex than banyu, they are both complex, manipulated patterns.

What I would say is that there are variations in both patterns, and variations in opinions as to the names of both patterns, as with most things to do with keris, nothing is carved in stone.

Yes, Jean, that blade that Anthony showed us is recent in my opinion also.

YS, unthuk banyu is not a mlumah pamor, when I used the word "mlumah" I was referring to orientation, not to the finished pamor.

Edit

I just reread what I wrote when I used "mlumah", I'm sorry, I was thinking Javanese when I wrote it. The word "mlumah"means to lay on the back with the front, or surface facing up or outwards, so if you take a strip of pamor and bend it back & forth, then you lay it on the blade core in such a way that the back of the pamor is against the blade core, and the surface that will be seen is facing the front, or the outside of the completed blade, then that strip of pamor has been laid "mlumah". This does not mean that it has been laid in a way that will create a mlumah pamor. The base word is "lumah" which means "surface, upper side".

Something else too, I gave this pamor of Anthony's as "Lawe Setukal", that is my opinion based upon the way it has been made and what I have been taught. However, a lot of what I knew to be so back 30, 40, 50 years ago is now not so, names have changed, ways of looking at and thinking about things have changed. I use different names for things depending upon the audience. If I were giving a name for a dhapur or pamor in something I wrote for publication, or, say, a catalogue, I would strive to find the most generally accepted opinion before I went into print, rather than just give my own opinion as I usually do in a Forum post.

Last edited by A. G. Maisey; 7th September 2021 at 01:58 AM.
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Old 7th September 2021, 03:09 AM   #5
JustYS
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Quote:
Originally Posted by A. G. Maisey View Post

Edit

The word "mlumah"means to lay on the back with the front, or surface facing up or outwards, so if you take a strip of pamor and bend it back & forth, then you lay it on the blade core in such a way that the back of the pamor is against the blade core, and the surface that will be seen is facing the front, or the outside of the completed blade, then that strip of pamor has been laid "mlumah". This does not mean that it has been laid in a way that will create a mlumah pamor. The base word is "lumah" which means "surface, upper side".
Thank you for this further explanation Alan.

So if I understood correctly pamor puntiran (twisted pamor) such as Lawe Setukel or Unthuk Banyu will always be classified as pamor miring regardless how the strip of pamor was laid?
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Old 7th September 2021, 09:50 AM   #6
A. G. Maisey
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YS there are two basic types of pamor construction:-

pamor mlumah and pamor miring

in pamor mlumah the layers of pamor material lay in the same plane as the core of the blade

in pamor miring the layers of pamor material stand at more or less 90 degrees to the plane of the blade

pamor wos wutah is a mlumah pamor and it is the foundation for other pamors where the motif is created by surface manipulation of the pamor material

a billet of unmanipulated mlumah pamor material is also the foundation for pamor motifs that are created by twisting and pamor motifs that are created by bending

in my opinion the best information on how various motifs are created in pattern welding is in a knife makers book:- "The Pattern Welded Blade", the author was Jim Hrisoulas

when Pauzan Pusposukadgo was experimenting with creating pamor motifs he used plasticene to test how various forms of manipulation might produce various pamor motifs. This was in the late 1970's & early 1980's, at that time there was virtually nothing in print to help us, anybody trying to forge weld ferric material and nickel had to work it out for themselves.
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Old 7th September 2021, 11:16 AM   #7
JustYS
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Quote:
Originally Posted by A. G. Maisey View Post
YS there are two basic types of pamor construction:-

pamor mlumah and pamor miring

in pamor mlumah the layers of pamor material lay in the same plane as the core of the blade

in pamor miring the layers of pamor material stand at more or less 90 degrees to the plane of the blade

pamor wos wutah is a mlumah pamor and it is the foundation for other pamors where the motif is created by surface manipulation of the pamor material

a billet of unmanipulated mlumah pamor material is also the foundation for pamor motifs that are created by twisting and pamor motifs that are created by bending

in my opinion the best information on how various motifs are created in pattern welding is in a knife makers book:- "The Pattern Welded Blade", the author was Jim Hrisoulas

when Pauzan Pusposukadgo was experimenting with creating pamor motifs he used plasticene to test how various forms of manipulation might produce various pamor motifs. This was in the late 1970's & early 1980's, at that time there was virtually nothing in print to help us, anybody trying to forge weld ferric material and nickel had to work it out for themselves.
Thank you Alan, I will try to get this Pattern Welded Blade.

Cheers,
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