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#1 |
Member
Join Date: Sep 2014
Location: Austria
Posts: 1,911
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Thank you for posting this!
![]() ... and HAPPY NEW YEAR! ![]() |
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#2 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,467
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I just wanted to join Marius in thanking you for posting this David.
It seems of course most appropriately placed here at 'Viking sword' ![]() While I have always admired these ancient swords, they have always been sort of 'above my pay grade' , but nonetheless reading about them and the fantastic history around them is always exciting. What is really great on this example is the markings and the dramatic contrast of the silver inlay against the profoundly pitted metal! Always fascinated by markings, these reflect many powerful elements of the culture and beliefs of those who used these swords, so these really fire up my curiosity. |
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#3 |
(deceased)
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
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David, you wouldn't mind having this topic moved to the European forum. Hopefully this has a larger number of enthusiasts over there.
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#4 |
Member
Join Date: Mar 2016
Posts: 138
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This sword makes the rounds of the forums and image boards regularly - I very much doubt its authenticity, and I am not the first to say so.
I think the ornamentation gives the game away, and the analysis offered by the auction house is completely off base. Firstly, the ornamentation on the "Hiltepreht" swords mentioned (and several other similar ones) is a Frankish-style floral/vegetal design that does not resemble this sword in any way. All of these are of Petersen's type K and probably of the 9th century. The sword from Hedeby is of the same type; its ornament is different but executed with the same technique: the design is engraved in dark niello (I assume) on a plated silver/bronze/etc surface. This is completely different from the sword in question. The comparison to the sword from the River Bann is also dubious; its ornament consists of three comparatively simple palmettes, also it has a brazil-nut pommel and is probably of the 11th century. The broken blade from Nijmegen (illustrated by Oakeshott) cannot be precisely dated, but its design shows far greater affinity with the Bann palmettes and certain other inscriptions than the ornamentation of this sword. The hilt ornamentation we see here is instead a poor imitation of designs that do appear particularly on hilts of Petersen's types O and R, and can be associated with the 10th century Mammen style of Scandinavian artwork. The intricacy and quality of the designs on every genuine weapon decorated in this manner far surpass what can be seen on this sword and others that have appeared at auction in recent years. For comparison, I attach an example excavated in Norway, and the namesake axe from Mammen in Denmark. |
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#5 |
Member
Join Date: Mar 2010
Location: Olomouc
Posts: 1,719
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Wasn't this a timeline auctions piece?
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#6 |
Keris forum moderator
Join Date: Aug 2006
Location: Nova Scotia
Posts: 7,229
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Thanks for the responses so far. They support some of my own suspicions about it. The motifs definitely do not seem to fit the purported time and place.
Ian, i am unfamiliar with Timeline Auctions. But as i mentioned in my earlier post i believe this sword was sold some tome ago by Peter Finer. I will not post any links to his website so as not to break forum rules, but he seems to be a rather well established dealer in fine antique arm & amour in London. The description i posted was credited to him. As far as i know he has a rather good reputation, however, such things are often meaningless in these cases. |
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#7 | |
Member
Join Date: Mar 2010
Location: Olomouc
Posts: 1,719
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