Arms and Armor in the works of Albrecht Dürer

[shayde78]

"Agony in the Garden", 1508

The artist's interpretation of archaic sword?

[shayde78]

The next few are from a series depicting the Passion of Christ.
In order below:

"Christ Before Caliphas", 1512
Good depiction of pole arms, similar to some I highlighted in the Nuremberg Chronicle.

"Christ Before Pilate", 1512
Interesting swords, pole arms, but also a neat looking war hammer

"Flagellation", 1512
Sword hilt, forward curved quillions

"Christ Crowned with Thorns", 1512
A rondel dagger on the kneeling figure's hip

"Ecce Homo", 1512
Bullock dagger at hip

"Pilate Washing his Hands", 1512
Pole arms in background

"Bearing of the Cross", 1512
Similar to the earlier image of the three peasants, notice the damaged scabbard. A sign of disdain? A common occurrence among the poorer classes?
Also, some pole arms, and a holy water spinkler mace head in the background?

"Resurrection", 1512
Pole arm, war hammer

[shayde78]

"Knight, Death, and the Devil", 1513
One of the more well known of Durer's work, and one that has been posted more than once elsewhere on this forum. Good detail on the sword, armor, horse's tack, etc. A well executed piece, all around.

[shayde78]

"St. Thomas", 1514

[shayde78]

"Peasant Couple Dancing", 1514
I like these rustic scenes! It is subtle, but the knife at the woman's hip is interesting since we often see folks on this forum ask, could this be a woman's knife? Seems the woman's knife here is of the same proportions as others the artist has etched.

[shayde78]

"Bagpiper", 1514

Short sword on a Highlander's hip? I'm guessing bagpipes weren't limited to north of Hadrian's Wall.

[shayde78]

"Agony in the Garden", 1515
Reinterpretation of the scene, with a different sword depicted.

[Philip]

Originally Posted by shayde78

"Bagpiper", 1514

Short sword on a Highlander's hip? I'm guessing bagpipes weren't limited to north of Hadrian's Wall.

Yes, you are spot on. The bagpipes, thought to be a legacy of the great Celtic migrations across Europe BCE, were a popular instrument, particularly among the common folk, across the Continent. In Germany they are known as the Düdelsack, in Italy, zampogna.

One of my most vivid memories of Spain was a trip, decades ago, to attend the Fiesta de Santiago de Compostela, in Galicia, the northwest corner of the country which has been a Celtic cultural stronghold for centuries. Never conquered by the Romans nor the Moors... The gaita gallega is the traditional instrument there, mouth-blown like the Scots Highland piob-mor though somewhat smaller and with fewer drone pipes, played by bands marching through the streets with drums, around the Cathedral.

An interesting thing, archaeologically, is the discovery of numerous stone boars in that region and in northern Portugal -- worshiped by the pre-Christian Celt-Iberian inhabitants as symbols of courage, much as did the Celts who fought the Romans, blowing their war-trumpets made of bronze, fashioned with open tusked boars' mouths instead of a funnel shape.

[Jim McDougall]

In post #1, this Durer engraving depicts as titled, five landsknechts and an oriental.
The landsknechts were actually German mercenaries who used Swiss fighting methods and arms from the latter 15th century. The most discernible weapon is the 'halberd' poleaxe here.

It is curious why the 'oriental' person is included here, but it seems that Durer was profoundly influenced by Italian Renaissance art. Attached is a painting of Mehmed II by Bellini from 1480 (note the addition of the crowns in background reflecting the same conventions of these addendums in Durer's work).
Durer had traveled to Italy in 1494 just as the Italian wars were beginning and surely saw the forces involved assembled at places.

It seems that Renaissance artists had a fascination with 'oriental' figures, which Durer adopted as well. He added an oriental figure to his own coat of arms, and this affectation seems a sort of 'exotica' which he seems to have been drawn to.

The weapon most discernible here is the Swiss halberd held by the figure at far right. The hook at the back of the axe head was to pull a rider from his horse.

[Philip]

Originally Posted by shayde78

"Agony in the Garden", 1508

The artist's interpretation of archaic sword?

Very interesting print, thanks for sharing it. Viewed in conjunction with "Sol Justitia" in post 13, it's significant in that the swords are depicted with the leather or metal rain-covers on their crossguards, to keep moisture out when the weapon is sheathed. This, of course, is very seldom seen intact on extant medieval and Renaissance swords due to their fragility. Another reason why period work by noted artists is so useful for documentary purposes.

For those wanting to see the real thing, there are a couple of Italian swords of the period published in Boccia/Coelho, Armi Bianche Italiane (1975). I believe Oakeshott's Records of the Medieval Sword may have a few more examples of hilts with intact chapes as well.