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#1 | ||
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Member
Join Date: Nov 2009
Location: Russia
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Quote:
By the way, for some reason everyone forgot what Marius wrote at the very beginning: Quote:
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#2 |
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Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,862
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This is amazing, always learning here!! I had no idea Persians did not use acid etching before 19th century, and thought that Qajar items of the 'revival' type included the earlier Qajar period as well (from 1789).
The Mamluks of course used the process from centuries earlier in their metalwork, and the technique became well known in the Sudan by the 19th c. It is odd that this Khyber has this type etching, which was not something used in these or most Afghan regions as far as I have known. However, it was not used on Kalash (Kafir) weapons either (again as far as I have found). The Kalash used these type figures and styling on material culture and even on their homes in external decoration. |
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#3 |
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Member
Join Date: Dec 2004
Location: Ann Arbor, MI
Posts: 5,503
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Double
Last edited by ariel; 13th September 2019 at 02:52 AM. |
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#4 |
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Member
Join Date: Dec 2004
Location: Ann Arbor, MI
Posts: 5,503
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In fact, Persians etched their blades for centuries: that was how they revealed wootz. They did not use deep etching, like on the Khyber in question, till they started producing “ revival” swords. Deep etching was a quick, cheap and dirty way to produce images and inscriptions, suitable for souvenir market, regulation sabers and trade with “penniless savages” like Afghanis:-) The quality of images varied widely, from acceptable to atrocious. In my guess, this Khyber’s imagery belongs to the low end of the Persian spectrum:-)
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#5 |
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Member
Join Date: Dec 2004
Location: Ann Arbor, MI
Posts: 5,503
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Re: post # 60
Folks, I am lost..... Need your help to understand the logic: Read the first sentence of my quotation, first sentence of the response and then last sentence of the response: in that order. Am I totally confused or is it an example of a “split mind” thinking? |
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#6 | |
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Join Date: Nov 2009
Location: Russia
Posts: 1,042
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Quote:
![]() I apologize for my poor English. |
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#7 |
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Member
Join Date: Nov 2009
Location: Russia
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I will try to explain to you now. But if something is not clear, please ask. Do not be shy.
1) Persia is known for exporting large quantities of shamshir blades (wootz blades and simple blades) to neighboring countries. This fact is confirmed by historical documents and a large number of undoubtedly Persian blades in India, Arabia and Central Asia. 2) Nothing is known about the fact that Persia would manufacture for export weapons not typical of Persia, but typical of another country. (if there is documentary evidence that proves that I am wrong, I will be very glad to get acquainted with them) 3) In Persia (or Persian craftsmen in Afghanistan), in exceptional cases, they made Khyber knives. These khyber knives are very elegant in the shape of a blade, have a handle that differs from the rough handles of Afghan highbers, their blades are decorated in a completely different technique. 4) The Khyber knife discussed in the subject, by all its external signs, is Afghan. There are no features in it that may indicate that it is made in Persia. In addition to "acid etching." 5) Indeed, in Persia in the 19th century actively used “acid etching” to decorate arms and armor, covering their surface with images and calligraphy. But! As Marius already wrote, the Persians began to do this in the 19th century. 6) The quality of "acid etching" in the early 19th century and at the end of the 19th century is very different. In the early 19th century - with "acid etching" you get deep and clear images. At the end of the 19th century - low-quality images (similar to images on the haber from this topic). 7) In Afghanistan, “acid etching” was not used to decorate blades. 8) How realistic is the historical combination of a typical Afghan Khyber knife and a typical Persian "acid etching"? My personal opinion is that such a combination could not exist in the 19th century. But! Even if you start to fantasize and decide that some Afghan traveled to Persia and for some reason ordered a completely non-standard jewelry on his Khyber knife, then judging by the crude "acid etching", this was done at the very end of the 19th century. That is, to call such a Khyber knife - "old khyber" or, especially, "The oldest dated Khyber I can recall" - is completely wrong. I hope now I was able to explain what you did not understand |
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#8 | |
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Join Date: Sep 2014
Location: Austria
Posts: 1,918
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Quote:
PS: But reading through this whole thread, it appears that the majority of people also lean towards this oppinion. Anyhow, I loved the debate!
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#9 | |
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Member
Join Date: Nov 2009
Location: Russia
Posts: 1,042
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Quote:
I already began to worry that my poor knowledge of English prevented me from expressing my thoughts logically
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#10 |
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Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,862
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The Khyber blade is unique, and while Persia may have begun exporting trade blades at some point about early to mid 19th c. (see the excellent article "On the Persian Shamshir and the Signature of Assad Allah" Oliver Pinchot, 'Arms Collecting' Vol. 40, #1, Feb. 2002) .......they made typical sabre type blades used often on local hilts.
They were not set on producing made to order blades or weapons for trade or as far as I am aware, commissioned or custom made weapons were not a well known Persian activity. Obviously their blades and arms were highly in demand on their own..........but never heard of a Khyber blade in Persia or from Persia. This etching is crudely done, and far from Persian quality, and the very idea of an Afghan tribesman sending a blade or weapon to Persia for etching is on the face of it, patently not likely. The 'date' in the motif here is certainly commemorative or with some other connection, if it is indeed a date. Therefore to presume this is a date establishing a terminus post quem for the 'Khyber knife' form is insufficient. Still this is an intriguing example of a Khyber of the 19th c. which has found its way into an unusual context, reflected by the decorative motif which has been applied to it for whatever reason. Fascinating discussion. |
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