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#1 | |
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Join Date: Dec 2004
Location: California
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1. Metallurgy and metal fabrication -- Vanoccio Biringuccio's Pirotecnica (1540) is a lucid and detailed compendium of 10 books, over 400 pages' worth in a modern English translation, of the state of the art as of the first half of the century. Book VI, of 10 chapters, covers gun- and bell-founding with tables of standard sizes and weights, and Book VII covers furnaces and molds, and also the making of cannon-balls and the designs of cannon carriages. The author (born 1480) who devoted his adult life to working in the metals industry, including the casting of large cannon. This book is a landmark in technical writing, standing out for its just-the-facts prose, avoiding the inclusion of lore and superstition, as well as flowery allusions to classical mythology, which characterised the literature of the era. The work has seen several editions through the centuries, including partial translations into other languages including Latin and Spanish. 2, Mathematics: Gunners had to do more than just be able to count. During the first half of the 16th cent., the practice became more science than art with the development of powerful tools created by the Venetian mathematician Niccolò Fontana "il Tartaglia" (his nickname The Stammerer came from a speech impediment caused when a French soldier cut his head with a sword when as a kid he had the misfortune of being in a war zone). Tartaglia revolutionized the study of ballistics when he, an avid student of the Greek thinkers, was able to prove mathematically that a projectile traveled in a parabolic trajectory. Not, as Aristotle posited, going straight through the air and then dropping abruptly to earth when its inertia was spent and gravity took over. From this, he was able to calculate the correlation of projectile range to barrel elevation, all else being equal. The figures were compiled into books of tables which became must-have field references for gunners all over the Western world and were disseminated to Eastern armies whose artillery corps were coached by mercenary trainers from Portugal and elsewhere. Tartaglia's studies were also the bases for the invention of several devices for the accurate aiming of cannon, the most important being the gunner's quadrant, which had a service life of over 3 centuries, and which is depicted in military manuals and art from as far away as India and China. Last edited by Philip; 30th July 2019 at 06:51 AM. Reason: spelling |
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#2 |
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Location: Room 101, Glos. UK
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They also made use of wedges, and with spare pre-loaded breeches, could maintain a certain amount of rapid fire. I imagine they were rather unpleasant to stand next to as they must have been fairly leaky when fired.
Irritating computer generated voice: https://www.youtube.com/watch?v=yRGCSSeBatI |
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#3 | ||
(deceased)
Join Date: Dec 2004
Location: Portugal
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At this point a parentheses should be open to remind that, in this ongoing period gunners, as well as foundrymen, were increasingly required in a number far greater than what the nation could provide, for the need to import them from other countries was obligatory. There were highly qualified Germans, Flemish and others. At a certain stage Germans had a brotherhood, São Bartolomeu de Lisboa, were thousands of them were inscribed. More than a thousand have fallen in the battle of Alcacer Quibir (1578). Quote:
... And mind you, whatever collateral issues could arise from an 'ancestral' berço like the one in that tube clip, may not be compared with later ones in bronze, improved during evolution imposed by King Dom Manuel, where materials and metallurgic accuracy would achieve a better plug sealing. Also there was no need to stand by the gun side. The one gunner stood safely behind it, at a distance provided by the gun aiming 'tail' (tiller). On another hand it appears that, the guy shooting the various loaded breeches in that clip, introduces the (simulated) projectiles into the vases, which is a recurrent false case. They are instead stuck into the barrel chamber. All that the breech takes is a gunpowder load ...eventually sealed with wax. . |
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#4 | |
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Location: California
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As early as the reign of Dom Manuel "o Venturoso", there was an influential German expat business community in Lisbon, involved in trading valuable commodities between Portugal and northern Europe. A German with some artistic talent made rough sketches of a rhinoceros in Dom Manuel's private zoo which might have been forgotten in the dust of history had not... the King wanted to give the animal to Pope Leo X (following up on a previous gift of a baby elephant), but the boat sank off the Italian coast and it drowned. The drawings ended up in Bavaria, where the famed print-maker Albrecht Dürer used them as the basis for his slightly fanciful but still impressive woodcut "Rhinocerus" dated 1515 -- an image that appears on things like T-shirts and coffee mugs even today. Also, consider Spain. The Marcuarte lineage of gunsmiths descended from Bartholme Marquardt of Augsburg. His sons Siegmund (Simón) and Peter became established in Madrid in the second half of the 16th cent., and the earliest existing signed patilla miquelet locks are attributable to Simón the Younger, ca. 1625. Is there any coincidence that the action of the patilla mainspring (pushing upwards on the heel of the cock's "foot"), and the operation of a sear moving horizontally through an aperture in the lockplate, are exactly analogous to what we see on the Bohemian snap matchlocks of the 1470s that were sold to Portugal in large numbers during the Age of Discoveries? It is probably superfluous to cite another example of an immigrant German gunsmith who made an excellent name for himself south of the Pyrenees -- Nicolás Bamproyssen y Bis. Oh, you mention Flemish. I may be repeating something you know very well, that a sizeable part of the population of the Azores claims those roots. It's evident in the appearance of those Terceirense, Jorgense, and Michelense folks who maintain their distinct communities here in California. Tall people with fair skin and hair, with a variety of surnames like Dutra, Bettencourt, Laranjo (L'Orange), Abreu (Evreux). Silveira (Van der Hagen), etc. Also the little capelas attached to their Irmandade do Espírito Santo halls are so often built in the "gingerbread" style that we associate with the Netherlands and adjoining parts of Germany and Belgium. But I digress... down yet another rabbit hole. Last edited by Philip; 31st July 2019 at 05:24 AM. Reason: add content |
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#5 |
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#6 |
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As it appears Filipe, it was pondered that, a better idea was to bring the (artillery) specialists over to the country, managing with them a vital interaction towards skilled production, instead of buying the guns in the international market, exposed to quality imponderables and no specific author to blame.
Afonso de Albuquerque has often made mention to his German gunners good services. Dom Lourenço de Almeida (India Vice-Roy's son) lost and was killed in the battle of Chaul (1508) for, together with other nobles, not accepting his gunner master (Condestável), a highly competent German, the suggestion to position the ships in a determined manner, so that he would take down the enemy's fleet before night fall. This refusal being justified by the fact that, gunning down the enemy's ships would make them assume the Portuguese were not courageous enough to beat them on a face to face boarding. So much for Dom Lourenço's fate ![]() . Last edited by fernando; 31st July 2019 at 04:10 PM. |
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#7 | |
(deceased)
Join Date: Dec 2004
Location: Portugal
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Yet you could browse on an even bigger thing, the Bijapur Malik-E-Maidan. Its specs are impressive; not so lengthy with 4,5 mts but, with a 55 tons weight, 1,5 mt diameter and a 700 millimeters bore. Concerning guns with inscriptions, like the ZAMZAMMA, i can not go without showing the TIRO DE DIU, so called due to its use in the First Siege of Diu in 1538.This basilisk was cast in bronze in 1533 during the reign of Sultan Bahadur Shah of Gujarat It cast in one solid piece and has no ornaments whatsoever except for some laudatory Arabic inscriptions that can be roughly translated as follows: From our Lord the Sultan of Sultans of all ages; life-giver of the tradition of the Prophet of the Merciful God; the one that fights for the exaltation of the precepts of the Koran; the destroyer of the arguments of the supporters of wickedness; the one that casts away the houses of worshipers of idols; the Victor of the day when the two armies will meet; heir to the kingdom of Solomon; the one who trusts in the God the Benefactor; the possessor of all the virtues – Bahadur-Shah. After the defeat of the Muslim forces, the gun was sent to Lisbon to serve defense purposes. Later in 18th century it was sent to the Arsenal in Lisbon to be melted so that the metal could be used to cast a statue of king D. José I. However, a religious scholar noticed and translated the Arabic inscriptions on the gun and, once discovering the historical value of the piece, the gun was spared. This non wheeled beast weighs 20 tons, measures 6,12 mts (5,90 mts core) with 91 cm width (incl. trunnions) and 24 cm caliber. It is now on display on the Cannon yard at the Military Museum of Lisbon. . |
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#8 |
(deceased)
Join Date: Dec 2004
Location: Portugal
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I should ask for tolerance over approaching once more the tremendous ambiance that surrounds a combat of artillery; but i could not resist to quote the great historian and grammarian João de Barros (1496-1570), describing the (unsuccessful) attempt, by Nuno da Cunha, to take over the fortification of Diu in 1531 (India). Tolerance also requested for not being able to translate (interpreter) his fascinating words in the exact sense.
" Given as a signal from the skiff of by D.Vasco de Lima, a volley with a piece (cannon) that ours call espalhafato (fuss), due to being very furious, started the sea, the land and the air shaking and changing their quietness; because the sea boiled, its waters jumping over with the falling of volleys which came from town and the boats, where there was great number of musketry, in a way that the shots were like rain, and in the water and the air they met. The land was all put to dust, raised by our shots at beating the fortification. The air was a smoke of sulphur so dark and thick that asphyxiated men, and blinded them, and from it some sparks of fire, that looked like coming from hell. All was a darkness without any light, only a terror, an astonishment to the eyes, torment to their ears and a confusion of cheer, the men not knowing where they were and whether was a dream what they were seeing, or truth ". . |
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