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#1 |
Member
Join Date: Dec 2004
Location: Cincinnati, OH
Posts: 940
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Jim, Thanks for your usual level of scholarly research. I have always appreciatedyour diligence in keeping this an academic forum. I find little argument with most of what you stated, but it still must be pointed out that to the Moro the wavy or undulating blade was combat ready, not merely ceremonial. And no one can doubt the levels of effectiveness they brought to that form.
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#2 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,193
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Hi Nechesh,
Thank you so much for the kind words. Point well taken on the Moro kris, and I'm glad you noted that,these weapons were indeed used most effectively by these fierce warriors. In reviewing Robert Cato's outstanding article in "Arts of Asia" in Jan/Feb 1991, "Islamic Swords of the Southern Philippines", he notes that all of the three basic forms of Moro kris blade carry nagan representation. In this the straight blade example (sundang espada), actually is intended to represent the serpent at rest, while the other two with degrees of undulation represent it in varying stages of motion. The Moro kris is truly an exceptional example of a weapon which often carries varying degree of undulation in its blade, and is clearly a fighting example of sword carrying such symbolism. That it was effective is well marked by the fact that the Moro's remained unsubdued for over three hundred years, and thier ferocity in battle legendary. All best regards, Jim |
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#3 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,193
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Thanks Radu JUDL!
If ya made it through the minefield, barbed wire, guard dogs and lasers, I'd be compelled to let you go!!! ![]() Best regards, Jim |
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#4 |
Member
Join Date: Dec 2004
Location: Ann Arbor, MI
Posts: 5,503
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Well, both straight and wavy blades deserve respect as long as they do not look like this mutilated abomination!
http://cgi.ebay.com/ws/eBayISAPI.dll...MEWA%3AIT&rd=1 |
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#5 |
Member
Join Date: Jan 2006
Posts: 123
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I'm just taking a crack shot, but aren't they for decoration and a symbol of courage...maybe they used them as a psychological weapon to psych themselves up. The wave blades...to me...look like fire, maybe hot flame rising. If you look at Thai designs and patterns, you'd see pattern of bright golden flame; I guess it is supposed to be very hot. The reason for that is they like to think they have conquered all fear by staying pured, doing good deeds by following the teaching of Buhddism, which the flame represents in the paintings, carving, and patterns on the temples. This is probably why the Siamese were the toughest fighters in Southeast Asia. In a few chapters, they talk about a couple thousands villagers, who fought part of the Burmese armies that range from twenty to thirty thousand troops. In the end all of them died fighting! You have the Celts in Gaul, which outnumbered the Roman ten to one, and they still fear them, and in the end they panic and fled, which gave Julius Ceaser a great victory and tremendous amount of respect at home. No offense to all you Celts, ofcourse!
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