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#11 | |
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Join Date: Oct 2007
Posts: 2,818
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This original untouched example I have presented has a very fine stout and non flexible fighting blade in it, certainly not a dance sword. I would suggest your post in original TVV Kattara thread in post #6 is a correct way of viewing this sword, fighting, with a shield. I think the W. H. INGRAMS notation in post #18 of the same thread is not it's sole purpose but just a cultural observation of the time, one that has continued today as a matter of ceremony. I know the chicken and the egg theory was discussed in the same thread about its presence in Africa where I suspect it too was used only for fighting as a trade legacy from the east. The wonderful photos of Tipu with the same sword type, in my opinion supports these swords where a cultural fighting sword and proudly displayed as such. The gaps in time from the period of early types with quillons you present through to the early 20th century is too great not to consider these as fighting swords even the flexible ones of old. Regards Gavin |
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