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#1 |
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The Hatan kavya text “Seethawaka Hatana” written by a warrior who was supposed to have fought in the Great Battle of Mulleriyawela include a narrative in which he refers to at least 5 chiefs who fought with Kasthana swords by name. These include Chiefs Kuruppu (of Korathota), Athulpana, Kahandawa, Weragoda and Wijeyakoon. The Mulleriyawela Battle occurred in 1559 and the text is dated circa 1585. I think this conclusively establishes the existence of Kasthana swords to mid 16th century and conforms my earlier note on the gift of a Kasthana sword to the Arachchi of the Illangama fighters Korathota (see picture above post #62). I need to re-locate my copy of “Rajasinghe Hatana” text which may provide additional reference to confirm the record
![]() This also establishes the fact that Kasthana was originally used in war. |
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#2 |
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I think the late Anthony North said it best in his article from 1975 on a late 15th century Italian sword. In this he noted that students of arms are often faced with the dilemma in studying apparantly unrecorded types of hilts, to either cast them 'into the everlasting limbo of ethnographic material' or even worse , to dismiss as a '19th c. pastiche'.
The great thing about this thread is that we are gaining great input with outstandingly presented material concerning the nature of the ornate decoration on the kastane and what these elements represent. Rather than becoming an 'argument' it is a soundly conditioned debate, and to all of our good fortunes, most constructive. I have learned more in the remarkable material presented here than in most of the time I have studied these swords, clearly inadequately, so I am extremely appreciative. It seems that the hilt guard configuration in the Maghrebi sa'if/nimcha swords and Italian swords of the mid to late 15th century are remarkably similar and the North African swords likely influenced by North Itallian swords rather than Spanish, according to Mr. North. In his article he also notes the comparison made by Charles Buttin between the nimcha/saif and Ceylonese kastane, though implying only superficial resemblance toward the guard system. It would appear that the ring finger guards or quillons extending downward on developing Italian hilts were designed to protect the forefinger which was extended over the guard in Italian swordplay technique. Italian weapons and armour fashion distinctly influenced Spanish styles, though it would seem the downward projecting 'wings' on Nasrid swords of Spain may be more aligned with downward projecting guards of Persian style. In the idea that these were influenced by Jinete swords of North Africa, it is important to note that the Jinete forces by the 15th century were often supplied by Italy in weapons. It is of course difficult to say exactly which influence may have impacted the clearly vestigial quillon grouping of the kastane, but seems likely that it is derived from some European form. Even prior to the Portuguese presence, the Arabs had long been trading in Sinhala, and the Sinhalese were probably exposed to the influences, as noted concerning the guns. Returning to the hilt, while the lion is of course represented in both Portuguese and Dutch heraldry and symbolism, it seems that as a regal totem it had been long established in carvings, monuments, architecture and iconography in Sinhala from ancient times. It is my impression that the pommel of a sword, particularly on a highly and symbolically decorated court sword, would be considered a paramount place. The regal stature of the lion would naturally be considered for such position, while the highly revered 'supporting' creatures such as makara, would be placed in 'supporting' elements and features of the hilt . The only instance I can imagine for variants or interpretations of the well established lionhead on the kastane would be if such examples were created by a warrior caste who had taken the 'protective' stature of the makara as a symbolic totem. The makara is seen in iconography as protective and supportive, much as warriors would be, as many occur in temples etc. in 'guarding' positions. As noted it seems like by the 17th-18th centuries the kastane had become a courtly weapon and non combative in the Sinhalese context. The advent of firearms and artillery had significantly altered warfare there, much as elsewhere, and the swords became essentially regalia, though there were undoubtedly less opulent combat versions. It would seem that we have opened the case for the development of the kastane into somewhat separate fields; that of the hilt configuration and guard system;the classification of the creatures in the hilt elements; and the nature of the blades, whether native produced or foreign. Also, the case of courtly kastane forms and concurrent fighting forms as well as possible variants in the nature of the hilt decoration. Could there possibly be a regal Sinhalese form with the lion symbolically represented as well as an alternate form with a warrior rather than regal identity, with the makara as its totem? |
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#3 |
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The following images were kindly sent to me by Mr. Ajantha Mahanth-arachchi who is a master of a Angam school of Korathotha
This sword is believed to be gifted by King Buwanekabahu VII of Kotte Kingdom (1521-1551) to the family of an ancillary prince(?) named Range’ Bandara. His descendants are still in possession of the Kasthana shown below as well as 2 Patisthana and one “Hella” spears, an ornate kris and a deed of a gift of land written on two sheets of copper issued under the name of the King. In addition to the references I provided in posts # 62 and #87. this will provide additional evidence to support an earlier date for existence of Kasthana swords to mid 16th Century. (Images of kasthana and Copper plates included) Jim Glad to have contributed in some measure to the understanding of the Kasthana. While being far from an expert on swords, my work as an Artist/painter specializing in re-construction of Ancient Sinhala lifestyle with a main focus on Ancient Sinhala warriors I have been involved in the study of Sinhala Art history and weapons and armor for a while. I hope I am more qualified in assessing material with a better footing on Sinhala culture and traditions and Traditional art practices. And hope we could take this discussion to a good conclusion. My interest in Kasthana is to trace its origins, the sources, evolution and the time frame. and to better define the Kasthana with a understanding of the design elements. hence my perseverance to establish the true identity of the elements of the sword. As I noted before I do not recollect seeing any Kasthana with pommels identifiable with Makara forms. If there is any specific candidates we should share them and assess them individually to set the record straight. |
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#4 |
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A magnificent Cingalo-Portuguese powder horn; in principle the best known example produced in Colombo during second half XVI /first half XVII centuries. Probably made for a Cingalese Monarch or someone of high rank. The dragon body with ruby eyes is built with chiseled silver covered by with a thin perforated ivory net. The flask mouth has a human figure, possibly a Portuguese, judging by his dressing. The gunpowder pours by his head, while he is praying; this could be interpreted as he wishes the gunpowder is used for well doing. The lid is a Goruda, which releases the gunpowder by pressing its tail.
A real master piece. . |
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#5 |
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A lance sceptre, symbol of power of one of Ceylon Kings. One of the most beautiful and old existing examples, dated XVI century.
It is said that, the yielding of this sceptre would be equivalent of yielding power. The haft is composed by nineteen engraved ivory hose sections, still keeping some of its colours (red and black). Each section couples to the other with copper rings, some of them still keeping its gold coating. The lance point is of steel, with two richly elaborated balls. The butt is in ivory. Total length 177 cms. . |
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#6 |
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Fernando thanks again for images,
Very interesting powder flask, and like you say (Cingalo-Portuguese) with significant deviations from the purely traditional Sinhala motifs. The very Crocodilian Makara is un-usual, but the most interesting is the full form Serapendiya apparently biting on to the human head at the hinge to the cap. The workmanship on the scepter does not seem Sinhales; and if it was from here it was probably an imported item from elsewhere (Indian?). |
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#7 |
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As no one has yet done so, might I politely suggest the 'Sinhalese sceptre' is actually the butt half of a rather nice Indian Lance.
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#8 | |
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![]() Quote:
Salaams fernando ~ Thank you for your superb pictures of..The Makara flask. This is accompanied by the usual pouring out of not only gunpowder (you will recall your gun lock which also poured out fire) but two demons... The first is a lesser makara form with a peacock tail and the second is an emerging humanoid whose face also appears on the knuckleguards of various Kastane including one of your exhibits. This is indeed the early Makara style as occasionally seen being ridden by one of the Gods. Regards, Ibrahiim al Balooshi. |
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#9 | |
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Salaams Weerakkody, We appear to be viewing the same object via two different prisms. Every Kastane I have seen has illustrated the Makara pommel including your last picture. The key elements of other deities being distributed about the knuckle guard, quillons and half cross guard...For an identical match with your kastane and a water spout in the Makara form see #14 . I think the colliding facts of the Makara / Lion discussion can rest with that and I note the progress already made and the fact that all parties seem to be digging in the vital timezone both pre Portuguese and during their rise to power. Regards, Ibrahiim al Balooshi. Last edited by Ibrahiim al Balooshi; 29th October 2012 at 10:05 AM. |
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#10 | |
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Salaams~ Mulleriyawela; It is an interesting battle (or battles). The website has pictures of Kastane in various places though I have no reference on the exact existence of the weapon. If you have the details it would certainly point to the weapon being home grown though the mid to late 1500s is still in zone for Portuguese co-operation is this swords production and design. Perhaps there is another clue to its origins. Observing the style of fighting at Mulleriyawela which was derived from a traditional Sri Lankan martial art Angampora (Illangampora being the weapons style) They certainly have single edged short swords in their armoury amongst the many weapons traditionally used. By examining their ancient system it may be possible to see an earlier date on the Kastane. It would be very interesting to see in their records if and where the Kastane appears...See Notes below. Regards, Ibrahiim al Balooshi. Notes; I have included a quote "Historical Evidences For Angam Kalawa; MAHA WANSHAYA: This mentions about ANGAMPORA fighting which was used in the battle of king ELARA and KING DUTUGEMUNU.IT specially describes the fighting styles of GHOTAIMBARA AND THERAPUTHTHABAYA. MAHA WANSHAYA: This mentions that king PARAKRAMABAHU enjoyed a martial art display done by his soldiers in 12th century. CHULA WANSHAYA: This mentions that king 4 VIJAYABAHU enjoyed a fighting display of his army. RAJAWALIYA: This mentions how KONAPPUBANDARA (1 WIMALADHARMASURIA) defeated a Portuguese swordsman by using ANGAMPORA. MAGHA SALAKUNA KAWYA: This mentions about a fighting academy named as “AGE MADILLA” in Kandy in 15th century. JUGAN HANDERSAN: This writer who served for Dutch in 1669 has mentioned about SRILANKAN fighters in his book on SRI LANKA. DR.JOHN DEV: HE has mentioned about the “SUDALAIYA”CLAN and “MARUWALLIYA” CLAN who practiced ANGAMPORA.HE has specially mentioned about the deadly fights done in “URA LIDA” (Gladiator fighting arena) H.C.P BELL: HE merely describes about a fighting clan which was started by a lady named “GALABODA KUMARIHAMI”.Then he reports about the battle of MULLERIYA".Unquote |
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#11 |
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Hullo everybody!
![]() As I don't seem to recall any example or mention of a Kastane with a WAVY Blade in this thread, I thought I'd post these quick snaps I took when taking advantage of a 'Window Of Opportunity'.(If already given/mentioned, then my sincere apologies and enjoy anyway.) Best, |
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#12 |
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Hi amuk.
There are many Kasthana swords that seem to carry non-standard blades including imported ones. But in this specimen I wonder if the blade got this way through some bad blade repair effort. As you say wavy blades are not usual for Kasthana. |
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#13 |
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... Or someone's bizarre idea to mount a yatagan blade on a Kasthana
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#14 |
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A Kastane with a grip in rhino horn and chiseled silver, with a pommel in the Pia Kaeta style.
(Collection Rainer Daehnhardt) . |
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#15 | |
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Salaams Amuk Murugul ~Interesting. It looks like a bent blade...so it probably is. It also looks quite old in what I would term original form... Hilt and blade decoration are in the old style. Regards, Ibrahiim al Balooshi. |
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#16 |
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Fernando
Remarkable weapon. Unlike most unusual pieces that may be later modifications of True Kasthana swords, this seem to be a custom made variation on the theme. It must be noted that the workmanship is very much traditional Sinhalese as for all floral and other motifs; but curiously done away with all animal forms. would be interesting to find out what circumstances caused the artists to make such a deviant and who commissioned it and with what reasons. What was the reason for avoiding animal forms??? ![]() |
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#17 |
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Nice hilt. Possibly the animal motifs was avoided at the request of a Sinhalese Muslim owner? Or someone who wanted a change.
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#18 |
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I regret not being able to contribute with some enligthening. The author/owner simply points out the hilt characteristic as a 'curiosity'
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#19 |
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![]() ![]() Last edited by Ibrahiim al Balooshi; 8th November 2012 at 02:22 PM. |
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#20 | |
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Salaams ~ Whilst this looks like a bent blade it may be related to blades on http://www.arms2armor.com/Swords/tulwaryatagan.htm , however, what is interesting other than the oddity factor of the blade is the old form hilt with ...a sea monster hilt ...Makara... virtually identical to the water spout and similar hilts shown earlier at # 14 # 15 # 18 etc. etc. typically pouring other deities from their mouths onto the Knuckleguard Guard and Quillons thus fulfilling their role on the sword as the traditional and ancient protector and provider of strength and battlefield prowess linked to the religion, underpinned in architecture, and held in high esteem by all. Regards, Ibrahiim al Balooshi. |
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#21 |
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I know the thread author is more on the sword side, but let me show here a very interesting XVIII century Singalese matchlock pistol that i found in the Web ... don't remember precisely where
![]() ... already with lock on the left side, as it became typical of Singalese firearms . |
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#22 |
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These two splendid 'Tanegashimas' were examined by a Japanese specialist in antique arms and were confirmed to have being produced in Sakai (Japan), having being later decorated in Ceylon, one with floral motifs and the other with mother of pearl ornaments .
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#23 |
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Salaams Note to Forum ~ The main thrust of my research is toward understanding the Sri Lankan martial art form "Angampora" which predates the Portuguese period in an attempt to link the Kastane to an earlier date ~ I have not achieved that yet, however, I am encouraged by detail on the website http://esrilankans.com/page.do?id=25 which depicts performers of the ancient fighting style with the weapon. Pictures below show Kastane Hilts depicting the Makara style on two weapons used by that martial system.
This indicates two things...1. It was a weapon and 2. If it was a true martial artists weapon the chances are that it originates in Sri Lankan history from ancient times. Angampora goes back at least 700 years before the Portuguese. The last of the Angampora gurus existed during the Kandyan kingdom. The martial art, that had withstood the test of time, faced its biggest challenge during this era. The British, two years after capturing Kandy and gaining control over the entire island, passed a law to ban Angampora in 1817. The punishment was brutal ~ Shot below the knees. Could this be one of the major reasons why this weapon has a clouded history? Regards, Ibrahiim al Balooshi. Last edited by Ibrahiim al Balooshi; 9th November 2012 at 03:31 PM. |
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