FORMING HOT METAL WITH BARE HANDS

A. G. Maisey · 15th March 2012, 10:07 PM

A puthut--- or putut--- is a disciple, or servant, or pupil of a holy man. The word exists in Old Javanese. Since the function of a puthut was to protect his teacher, the meaning on a keris blade can be interpreted as protective. However, it does appear to be a later motif, attached to the keris after Islam.

But "puthut" is just the name, and the name may not really indicate the source of inspiration for inclusion. Most keris terminology is comprised of euphemisms, like a lot of belief systems, there is public knowledge and then levels of hidden knowledge.

The number of indentations on a keris pejet that most people will accept as genuine can vary, some people will hold the belief that it can only be a specific number of indentations, placed in a specific way, and this seems to vary depending upon what group of keris fanciers one is aligned with.

The prime identifier for a keris sombro is the eye at the tip of the tang. The legend that goes with this is that she --- Sombro was a woman --- would make a number of blades, string them around her waist, and walk from village to village selling them. She was the daughter of Manca, the grand-daughter Marcukunda, and the great grand-daughter of Kajadsari --- according to Pangeran Wijil.

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15th March 2012, 10:07 PM	#21
A. G. Maisey Member Join Date: May 2006 Posts: 6,992	A puthut--- or putut--- is a disciple, or servant, or pupil of a holy man. The word exists in Old Javanese. Since the function of a puthut was to protect his teacher, the meaning on a keris blade can be interpreted as protective. However, it does appear to be a later motif, attached to the keris after Islam. But "puthut" is just the name, and the name may not really indicate the source of inspiration for inclusion. Most keris terminology is comprised of euphemisms, like a lot of belief systems, there is public knowledge and then levels of hidden knowledge. The number of indentations on a keris pejet that most people will accept as genuine can vary, some people will hold the belief that it can only be a specific number of indentations, placed in a specific way, and this seems to vary depending upon what group of keris fanciers one is aligned with. The prime identifier for a keris sombro is the eye at the tip of the tang. The legend that goes with this is that she --- Sombro was a woman --- would make a number of blades, string them around her waist, and walk from village to village selling them. She was the daughter of Manca, the grand-daughter Marcukunda, and the great grand-daughter of Kajadsari --- according to Pangeran Wijil.