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#1 |
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IMHO, Jawa or Lombok or even Bali provenance does not really matter, as I believe though the forging is quite well done, the blade was not made by an Empu or at least a Pandai keris. Look at the tips of the sogokan, and compare that with the blumbangan cleavage near the gandik. If its an empu made, definitely the line of the blumbangan would be nicely touch the tips of the sogokan, and cross the middle of 2nd luk. Any blade made by an empu or pande of any provenance / era would stick to this rule.
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#2 | |
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#3 | |
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As such, dressing the keris also normally conform to that of the kraton / istana pakem, unless a keris was made by non empu / pande, the dress then is whatever we feel like dressing IMHO. I am not sure whether everyone can understand what I was trying to say, as my English is not that good. feel free to ask more if clarification is needed. |
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#4 | |
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agree with you that this isn't a blade which is worked by a high standard. Shall I understand by your words that this blade isn't worth to get a proper dress? Regards, Detlef |
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#5 | |
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i hope you dont take my earlier comment as an insult. My point was, since the keris was believed to have been made in East Java or Lombok in particular, so dress it in whatever you see fit. But if was most likely made by an empu or even a pande, then the dress has to be more particular. However, from my own understanding, the keris dress is not necessarily attributed to the place of origin, but rather where the keris was last found (where and who was the last owner). This however only applies to Nusantara area. Hope this clarifies, but feel free to ask if my words are hard to understand |
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#6 | |
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#7 |
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Thks David for your opinion....and to certain extent I agree... but pls take a look at this pic
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#8 |
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Penangsang, I am having a great deal of difficulty in understanding exactly what you mean when you say:-
"--- the line of the blumbangan would be nicely touch the tips of the sogokan, and cross the middle of 2nd luk---" I have had not a little instruction in the layout of keris that conform to Surakarta and Mataram tangguh. My teachers in this have been Empu Suparman Supowijaya and Empu Pauzan Pusposukadgo, additionally I count amongst my close friends several working pande keris. I am unable to align anything I have ever heard from any of these people with what I think you might be saying. I have looked at several keris that are in my care which are attributed to noted makers, such as Empu Jayasukadgo, Empu Kinom, Empu Guling, and I cannot align what I see in these blades with what you have written. Could I trouble you to clarify exactly what you mean by the statement I have quoted above? Thank you. |
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#9 | |
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#10 |
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in reply to post no 29 by Alan.
I just cannot explain it in a good understandable words, but here it goes. If we put a straight ruler from the edge of blumbangan (near the gandik), the straight line will touch nicely the tip/s of the sogokan and crosses the first luk after the wadidang (luk no 2). I have these 2 pictures to describe it, but since I dont have a digital camera right now, I used my cellphone to thake the photographs. I am posting also using my cellphone, so forgive the quality of the pics.[IMG]http://[/IMG] |
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#11 | |
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don't worry, I don't feel attacked. But I am with David that I will try to dress the blade in Lombok style. Regards, Detlef |
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