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#1 |
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Join Date: Jan 2007
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Thanks David, it is clear that I need to learn how to compose a better English sentences when seeking for answer/confirmation in a discussion board
![]() A note for Alan: I suspect that we're possibly getting a little bit of confusion in terminology here Tunggulametung. The Banyumas technique that I have referred to as "engraved", or "incised", you may well be thinking of in terms of "embossed". No I understand how they differ. I'm trying to say in my previous post that I learn the way Banyumas pendok done were more in emboss and not engraved/incised but chances I get mixed with Surakarta pendok as there are many times when I can not tell how they differ. But perhaps we should save that for another discussion as we are here to discuss a hilt ![]() Anyway, just like Alan, I think I have note down all things I know and should anybody want to suggest his opinion shall this thread back to the subject as it was first intended by the thread starter ![]() Thank you |
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#2 |
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I know that this thread is about a hilt, but it seems that we have been drawn into discussion of the different types of techniques that have been used to make pendok coming from differing locations.
I hope that the accompanying photos, although not of particularly good quality, will be adequate to illustrate the differences we have been talking about. Photo 'A' is of four old Banyumas pendok that have had the motif applied by what I shall call incising; 'B' is a close up of one of those pendok. The technique was demonstrated to me perhaps 20 years ago by a craftsman who was well known within the keris trade and almost unknown outside the trade, a man who was the descendant of a line of craftsmen who had worked in the keris trade in Yogyakarta:- Bp. Pawirodihardjo, AKA Pak Walijo. He also identified this pendok style as Banyumas. The ones shown are poor examples of low quality, and in some cases have had the curve at the top flattened, so that they could be fitted to Surakarta wrongkos. Pak Walijo passed away some years ago, but his legacy will be with us for a long time to come. Photo 'C' is a fair quality embossed Banyumas pendok in silver, 'D' is a close up. Photo 'E' is a new Surakarta pendok with engraved motif, 'F' is a close up. Photo 'G' is a Yogyakarta pendok with incised motif, 'H' is a close up. The Banyumas pendok form, as explained to me by Pak Walijo, is similar to the Surakarta form but has a curved top and in some cases a lis (collar) fitted to that curved top. I most earnestly hope that these photos clarify what I have been trying to explain. |
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#3 |
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Spot on! Example C is what I'm trying to explain in my previous post. That collar type might be one of the good hint then. Thank you for providing the examples I know I can learn from you!
![]() I should have look more into example A (this is where I mixed), but just to share a view (as how you mention they are often made for Surkarta), I know for once they are supplied from Jogja (recent made) but that just one time experience and may not the case in the past or all the time and if I remember correct that is one with flat/angled opening (not curved). Thanks again. Last edited by tunggulametung; 8th February 2011 at 02:16 PM. |
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#4 |
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I'm not all that sure that a lis can be taken as a definite Banyumas origin indicator, as Madura and North Coast pendok also are sometimes found with lis.
The relationship between Banyumas and Solo pendok is that old Banyumas pendok have often been squared off at the top so that they can be used on a Solo wrongko. Most affordable recently made pendok come from Imogiri, and are embossed. They are supplied in all styles and sold wherever keris are sold. |
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#5 | |
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#6 |
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Join Date: Aug 2007
Location: Germany, Dortmund
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Thank you all very much for this very interesting discussion!
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