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#1 |
Member
Join Date: Dec 2004
Posts: 735
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Mmmm... Delicious
![]() Thank you Alex for the feast! |
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#2 |
Member
Join Date: Dec 2004
Posts: 1,712
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Thank you Alex for the time taken in taking & sharing these.
Truly stunning pieces. Spiral |
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#3 |
Member
Join Date: Mar 2005
Location: Austin, Texas USA
Posts: 257
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Alex, we are all greatly indebted to you for sharing these remarkable works of art with us. My sincerest thanks.
Berkley |
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#4 |
Member
Join Date: Dec 2004
Location: Greensboro, NC
Posts: 1,086
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Thanks Alex for taking the time to photograph so many wonderful pieces and sharing a wide variety of them. The pictures are very good and clear and highlight both the quality and fine details of these pieces. A take away for me is to see superb 18th and 19th century weapons where the gold koftgari is absolutely pristine. No wear or anything. If we were to see an Indian sword these days in this kind of condition we might question the authenticity of the gold work but as we can see here, if an item is carefully kept all these years the goldwork can remain in "as new" condition. Absolutely wonderful!
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#5 |
Member
Join Date: Oct 2007
Posts: 2,818
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I am hungry for more Alex, how goes your next series of pics?
Best Gav |
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#6 |
EAAF Staff
Join Date: Nov 2004
Location: Upstate New York, USA
Posts: 932
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What a fabulous photo of one of my favorite items in the Wallace collection! The reflections of the windows really bring the ambiance of this museum back to me - and I visit these galleries every time I visit London.
This sword is briefly discussed in: Oakeshott, R. Ewart, "Old Wine in New Bottles," Park Lane Arms Fair Catalogue 8 (1991), p. 18 - 21. Mr. Oakeshott dates the hilt as c. 1690 and the blade as a century earlier (the catalog dates it as possibly early 15th century); much of Mr. Oakeshott's discussion is centered upon the incompletely resolved question of whether the blade is of Spanish or German origin. The catalog describes the blade as 37 1/2 inches in length by 2 1/2 inches width at the hilt. Even though much of the collection is ultra-richly decorated early 19th century, Wallace's buyers also acquired some really fine earlier examples! There are a number of really fine European medieval swords in the next room... |
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#7 |
Member
Join Date: Aug 2010
Location: Solihull, UK
Posts: 81
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hi went recently, i must have been in there for about 4 hours, although the first hour was spent trying to pick jaw back up off the floor
some pics of my own unfortunately nowhere near as good as the ones above.. One of the worlds finest collections for sure. ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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#8 |
Member
Join Date: Aug 2007
Posts: 865
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carlitobrigante, thanks for the additional photos....disappointed though...no Dha? Love to plan a trip to the UK sometime... allot of nice arms collections there....
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#9 |
Member
Join Date: Sep 2012
Posts: 60
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alex
tanks for the pic,a dream for any collector regard jacques |
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#10 |
Member
Join Date: Dec 2004
Posts: 1,712
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Thanks, Steve, Alex, Shimmerxxx erc.. Truly pieces to aspire to....
Spiral |
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#11 |
Member
Join Date: Dec 2004
Location: Ann Arbor, MI
Posts: 5,503
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I remember being there and having fantasies about nighttime... black balaclavas.... lock picks.... getaway cars....
To my taste, this is by far the best Oriental collection, with no average quality pieces, just the elite. From time to time I hear rumors about Wallace publishing a full catalogue of their Oriental Room. Have you heard anything? Or is it just another of my fantasies? One thing that surprised me a lot was the virtually complete absense of wootz patterns: all blades were brilliantly polished but not etched. The same is true abour the catalogue of the Dresden Turkish Chamber. Obviously, that must be a philosophy of the museum: etching is a controlled rusting, and they must have made a conservation decision. |
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