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Old 29th September 2009, 05:53 PM   #36
fernando
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Alright Steve,

Quote:
Originally Posted by Steve
...Sorry to come in late but the time difference is a bit extreme.
I have had several of these Hodeida hilts translated and they have always come back " work of..." or "made by.." as Michael's did above. I have to go by these translations and take it that the name on the back of the hilt is the makers name. It has been a proud and long tradition for the makers name to be transcribed onto silver pieces, including jambiya hilts, scabbards and adornments- in fact it was law to do so at a time in Sana under the last Imams...
So it is the handle maker's name. As we say over here: against facts there are no arguments.

Quote:
Originally Posted by Steve
...With regards to the hebrew inscription. It would appear from others posts, that you have another signature. Occasionally I have seen hebrew writing on silver jambiya pieces. Not often- usually the jewish name was written in arabic. A silver spacer is sometimes used between the inside of silver hilts and the blade - as in this case although the spacer seems a little odd in not covering the complete distance. Maybe this is the photo or something more is hidden under the resin....
I see your point. There is indeed a silver mount all around, between the handle and the tang; but it looks as, instead of its purpose being to cover the resin space, the intention was more to use it as a fixing wedge.

Quote:
Originally Posted by Steve
...As a guess I think the hebrew signature might refer to the provider of that silver piece or the person, with the division of labour in making these, put the blade into the handle and added the additional silver spacer? Just an opinion.
I see; a sort of hallmark from the knife setting operator.

Then in this case we would have an Arabic guy making the handle and a Jewish fitter mounting the weapon ... and potentially another smith forging the blade .
I know that very often weapons are the result of a cocktail of smiths; but i wasn't expecting for this sequence, though

Fernando
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