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		#1 | 
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			 Member 
			
			
			
				
			
			Join Date: May 2007 
				Location: J a k a r t a 
				
				
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			Dear All, 
		
		
		
			I am still confused of this hilt. Is it Sumatran hilt? Or, somewhere else? I hope I would get more information on it from you... The hilt size is bigger than Yogyanese hilt, but smaller than Balinese (pls see the picture, for comparison). GANJAWULUNG  | 
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		#2 | 
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			 Member 
			
			
			
				
			
			Join Date: Aug 2006 
				Location: Italy 
				
				
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			Congraturation Ganja!! 
		
		
		
		
		
		
		
	A nice, unique piece. IMO is not from Sumatra but it comes from Madura area (floral style)  | 
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		#3 | 
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				Location: Amsterdam, Netherlands 
				
				
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			Hi Ganja, 
		
		
		
		
		
		
		
	Look bit like... I dont know were its from..but the keris wears a yogja wranka. regards Michel  | 
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		#4 | 
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			 Vikingsword Staff 
			
			
			
				
			
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			The hilt resembles this one which I was told was from North Jawa .   
		
		
		
			 
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		#5 | 
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			 Member 
			
			
			
				
			
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				Location: Germany, Dortmund 
				
				
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			Hello Ganja, 
		
		
		
		
		
		
		
	I also think that this hilt is from Madura or North-East Java. I also can show some examples. But this one is very nice and unique. Regards, Detlef  | 
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		#6 | 
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			 Vikingsword Staff 
			
			
			
				
			
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			All these hilts share the same general shape .......   
		
		
		
		
		
		
		
	 
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		#7 | |||
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			 Member 
			
			
			
				
			
			Join Date: May 2007 
				Location: J a k a r t a 
				
				
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			 Quote: 
	
 Quote: 
	
 Quote: 
	
 GANJAWULUNG Last edited by ganjawulung; 30th January 2009 at 08:47 AM. Reason: Mispelled name  | 
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		#8 | 
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			 Keris forum moderator 
			
			
			
				
			
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				Location: Nova Scotia 
				
				
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			I agree with Ganja, the floral motifs on this hilt are markedly different from all the other Madurese examples presented. What is even more a difference though is the presence of the animals represented on this hilt, the stag and the tiger. The other hilts are abstractions while this one is very representational. I'm not so sure it is from Madura either.   
		
		
		
		
		
		
		
	 
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		#9 | 
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			 Vikingsword Staff 
			
			
			
				
			
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			I wonder if in this case we should be looking at the shape rather than the carving . 
		
		
		
		
		
		
		
	They all have a N.Coast shape IMO .. ![]() Madura interpretation of N.Coast work ???  
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		#10 | 
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			Imo the pattern in the nice ivory Ganja hit are very similar to the pattern of islamic  (iranian ) carpet  where  there are hunters on horses and  animals like deers, tigers, lions in a garden full of nice trees and flower: Italian name  for this carpet is "tappeto da caccia" (hunter carpet). English name:    
		
		
		
		
		
		
		
	 
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		#11 | |
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			 Member 
			
			
			
				
			
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			 Quote: 
	
 I tend to agree with Rick. North Coast of Jawa. Maybe good too, if we compare the motifs of the lower-part of the ivory hilt (the base of the floral motifs) with "cirebonese motifs" (North Coast motifs) in Keraton Kasepuhan, Cirebon. Pictures below, show you how the "wadasan" motifs (wadas = rock, but meant for the form of the sky above --- maybe 'cielo' in Spanish) at the upper-part of the white wall gate of Kasepuhan, look similar to the form of the (supposed to be) wadasan motifs in the lower-part of the hilt. Wadasan is the main motifs, the specific characteristic of Cirebonese motifs until now. Derived from their philosophical symbol of 'sky' (probably: rock form of heaven in the sky...) they always used since their oldest Castle of Pakungwati in Keraton Kasepuhan (Cirebon old palace), built by Rakean Walangsungsang (fugitive son of famous Western Jawa Hindhu King, Siliwangi of Pajajaran) in the year of 1452 (15th century). Walangsungsang, and his younger sister Rara Santang fled from Hindhu Pajajaran, because they had turned to Islam religion. Walangsungsang then became Panembahan Cakrabuana, the first king of Pakungwati, Cirebon. The Cirebonese motifs then turned to more abstract motifs, after the Islamic king of Sunan Gunung Jati or Syarif Hidayatullah. Gunung Jati, of Syarif Hidayatullah was the son of Rara Santang (younger sister of Walangsungsang) after married to a Middle-east nobleman -- when they went for Haj in Mekkah.. It is worth to see too, the other pictures below, picturing how "wadasan motifs" also influenced their keris culture. An old Cirebonese keris sheath, with "wadasan" motifs at the upper part of the gandar. Also, other variants of "wadasan motifs" in a Cirebon pedang handle... Anyway, thank you David, Rick, Marco, Alamshah and Erik for your kind respond. Thanks... GANJAWULUNG Last edited by ganjawulung; 1st February 2009 at 06:05 AM.  | 
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