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Old 20th August 2016, 09:03 AM   #98
Ibrahiim al Balooshi
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Location: Buraimi Oman, on the border with the UAE
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Quote:
Originally Posted by fernando
The description of Sohar in Orientalist Eduardo Kol de Carvalho's work is an extract of the XXVI chapter that preceds the one narrating Albuquerque's departure from Sohar along the coast to Orfação, which comes resumed in post #94. The actual author of the written work, Bras de Albuquerque (1501-1581), 'natural' son of Afonso de Albuquerque, has compiled the letters his father sent the King and himself and wrote his 'Comentarios'.
His description of Sohar is rather detailed; that the people in the place would be more than six thousand, plus some fifty on horse, most of those covered with steel, from which fell a sort of iron scales, in a manner of roofs covered by tiles, which are so strong that a crossbow bolt couldn't trespass them, an the horses foreheads were protected in the same manner. The saddles were Turkic, of high cantle, and the stirrups were also of Turkic fashion. The major part are archers, some carry lances and Turkic maces. ... the land is of large porpotions, with tillages of wheat, corn, barley and there is great cattle stocks and horse breeding ... etc. etc.
En passant, Bras de Albuquerque made part of the escort that conveyed Infanta Beatriz (King Dom Manuel's daughter) to Italy for her wedding with Carlos III de Saboia, in which fleet sailed the nau Santa Catarina de Monte Sinai, precisely the one shown in post #83.

Hereunder ...

First: Muscat inhabitants bathing.

Second; Persian people from the Kingdom of Ormuz.

... watercolours in a Portuguese Codice kept in the Casanatense Library, composed of a set of 75 illustrations produced in the XVI century, probably the earliest known; work of a Portuguese unidentified author who has travelled to the Orient,
(As demonstrated by Georg Otto Schurhammer)

... and a portrait of Afonso de Albuquerque included in Bras de Albuquerque's first edition of his Comentarios do Grande Afonso de Albuquerque (1576).


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Sohar was indeed a major port at the time and indeed it was a thriving enterprise for horses... This commodity was very much sought after and the Portuguese commanded much of the trade after taking Sohar...and also tied up that business on the Malibar coast and particularly at Goa...

The pictures of the bathers at Muscat and the Hormuz artwork are remarkable giving a vivid idea of the people and their dress / animals and weapons. Pictures of the time are a real bonus as to the Ethnographic flavour in those early days.

I recall studying the magnificent ship; nau Santa Catarina de Monte Sinai and how they appeared almost black in appearance which was because of the treatment they were given to preserve the timbers..so they were actually that colour.

Interestingly I note on Fort construction from http://www.palgraveconnect.com/pc/do.../9780230618459

Quote "More substantial buildings on the coast were constructed of coral rock (Arabic farush or hasa; Persian sang-i marjan). The mining of this coral from shallow water on the Arab side was a dangerous occupation that took place mainly in the summer months. The reason that much of the great fortress that the Portuguese built on Hormuz in the sixteenth century survives is that it was built of locally mined coral, whereas most other historic forts in Iran were built of mud and are crumbling today". Unquote.

PLEASE SEE https://en.wikipedia.org/wiki/Portuguese_India_Armadas ....This is a most fascinating account of how Portuguese ships were manned for Indian Ocean operations and how booty was shared depending on rank.

Last edited by Ibrahiim al Balooshi; 20th August 2016 at 12:27 PM.
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