Hello Alexis,
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Actually, this keris is inspired by the unduk-unduk (seahorse) keris of Terengganu state, peninsular Malaysia.
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IMHO there are only very few nicely chiselled unduk-unduk and even fewer well-sculpted blades with this feature.
Legalities and the merlion being some kind of commercial modern idea aside, I don't think its placement in the pudhak sategal area is well advised: IMHO the stocky body completely breaks the flow of lines of the whole blade. If you have to, it might possibly work out reasonably well as a figure at the gandik area though...
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The sarung is a traditional form called Kusriwo, which is also associated with Terengganu state of peninsular Malaysia.
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I don't think this rather non-traditional version will "fly" with northern Malayan aesthetics. Got it carved on Madura, too?
You're certainly rattling the cage with those creations. However, I believe this is too much of a mix'n'match approach with too many influences from distinct cultures to be digestible from a more traditional perspective.
Regards,
Kai