This keris possesses a number of features which permit the classification of Surakarta. The primary indicators in this case are the ron dha and the strong ada-ada.
The posted images, from the top, show ron dha from a tombak that is attributed to Empu Jayasukadgo, a keris made by Pandai Keris Yantono, and a drawing, by Empu Suparman, of the classic Surakarta ron dha.
Also shown is a drawing by Djeno Harumbrojo of his interpretation of the Yogyakarta ron dha.
The classic HB (Yogya) keris style broadly follows the Mataram form, and the classic Yogyakarta ron dha also echoes this form.
That, at least, is what I have been taught. Others may hold different opinions, and when all is said and done, this identification of blade origin is based upon opinion.
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