[A. G. Maisey]

Jean, I don't intend to be difficult, nor evasive here, but I'm afraid that you, and just about everybody else who contributes to discussion here look at keris in a different way to the way in which I look at a keris.

You have shown me photos of two keris, one of which (the full pendok) is probably able to be classified as Cirebon, the other of which is possibly Cirebon, however, in respect of the blades alone, I am not prepared to offer an opinion on origin.

It is very possible that the full pendok keris has a blade that might be able to be classified as Cirebon, and comparison with Ben's blade is worthwhile.

However, although I nearly always talk in terms of "classification", what I'm really talking about is tangguh. I use the English word "classification" because I am mostly addressing an English speaking audience, in Jawa I would use the word "tangguh".

I have often stated that in my opinion it is almost impossible to give an opinion on tangguh from photos. I say "almost impossible", this is because sometimes sufficient indicators are apparent in a photo to permit a supportable opinion to be given. That opinion could , of course, always be incorrect, and only if a blade is handled can a definite, defensible opinion be provided.

The question of classification becomes very, very much more difficult when a blade is a simple dhapur:- no greneng, no ron dha, no sogokan, no kembang kacang. Lacking these indicators it can sometimes approach extreme bravery to offer an opinion in respect of a classification --- or perhaps such opinions simply demonstrate a lack of understanding.

In the Solonese system of tangguh there is no tangguh Cirebon. Cirebon is included in tangguh Pajajaran, and tangguh Pajajaran has several numbered sub-divisions. To be certain of any blade that is suspected of being tangguh Pajajaran one definitely needs the blade in the hand. An opinion cannot be supported on the basis of what can be seen in a photo.

It is worthwhile remembering that the idea of tangguh arose in the ranks of the aristocracy of Central Jawa, principally amongst those who were attached to the Surakarta Karaton, and it arose for a defined purpose. That purpose was not simply to permit neat record keeping and the maintenance of a filing system.

At the present time there is a plethora of tangguh from which to choose, however, thirty years ago, and before that, the number of available tangguh was very much more limited. One may draw one's own conclusions from this. So, now we have tangguh Cirebon, however as I have already stated, I do not know what the indicators are for tangguh Cirebon. The notes in EK are totally inadequate, I can find nothing in any of the classic guidebooks. Who truly knows the indicators for Cirebon? Indicators that will permit the identification of blade if it is tangguh brojol, or tangguh tilam upih?

Now, you Jean, and Detlef have posted some keris as examples of Cirebon keris.

What I can see is four keris that have elements of dress that may, or may not be Cirebon, and four totally different blades.

Bear in mind:- when I am talking about a classification, or tangguh, I am addressing only the blade, and what I can see in these examples are four blades that bear not the slightest resemblance one unto the other.

I have mentioned "indicators" several times. What I am looking for in respect of indicators is, as a minimum, this:-


1) Tanting : perceived weight.

2) Besi : iron

3) Baja: steel

4) Pamor: the material used to create the contrasting pattern observed on a keris blade

5) Pawakan: the form of the body of the keris; the overall visual impression

6) Gonjo: the wider , separate section at the blade base

7) Gandhik: the swelling at the front of the blade base

8) Blumbangan: the depression at the blade base gripped between thumb and forefinger

9) Sogokan: the fuller or fullers sometimes found in the sorsoran of a keris

10) Ada-Ada: the central ridge

11) Kruwingan: the depressions running on either side of the ada-ada

12) Luk-lukan: the waves

13) Wadidang: the broad curve of the blade into the gonjo

Only about half of these indicators can be appraised from a photo, and some of the indicators do not exist in a keris with a simple dhapur.

Then with Cirebon we have the problem of makers.
Who were the known mpus in Cirebon?
I cannot answer this off the top of my head, I'd need to go back and plow through The genealogies extracted from the "Descent of the Mpus of the Land of Jawa", however, going just on memory, I cannot recall any notable mpus who were directly connected to Cirebon. No notable mpus can very possibly be interpreted as no distinct style, only dominant characteristics. This again makes it quite difficult to classify Cirebon.

As I said at the beginning of this post:- I look at keris in a somewhat different way to most other people. Because of this I regret that I am unable to provide a supportable opinion in response to the question you have raised in your post #10.