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Old 20th May 2011, 06:30 PM   #18
Jim McDougall
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Join Date: Dec 2004
Location: Route 66
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This really is a great discussion, and it really helps to have interactive observations to gain key perspective in evaluating a piece. Stephen, I must say I have been remiss in not acknowledging your input here, which has also been most helpful. I am always grateful for your posting these fascinating examples, and admire your willingness to place them here for us to learn from, and hope our observations are helpful in increasing your knowledge.

As Iain has noted, the fact that this is a German made blade, produced by a well known exporter of these times from Solingen, does correspond with the large number of blades found on kaskara throughout the Sudan. Also, as noted, the addition of this poetic verse in inscription was clearly done by a Frenchman and intended for a French sword. This of course suggests that the weapon was apparantly used by a Frenchman, and either the blade was mounted in Europe before arrival in French regions in Africa (as was sometimes done by Clauberg and other Solingen makers) or it was done by an outfitter in Africa furbishing swords intended for French use. There is no reason why such specifically French verse would be placed on a trade blade intended for other parties, and most certainly not on a blade intended for a Sudanese tribesman.

I am not familiar from Rimbaud, nor in fact had I ever heard of him until this thread, however, it does seem his writing was well known, especially probably among military men as he was military himself. Factor that into the established fact that he dealt in weapons in Abyssinia and probably throughout the region, and it does not seem unreasonable that his verse might appear on a French blade used by a Frenchman in these regions.

While it does seem paradoxical that wistful romantic notions would be in the minds of soldiers on campaign, or for that matter, any men far from home and loved ones in places where they are strangers....it is entirely a matter of fact and well known. Todays generations are more familiar with media driven views of machismo, bravado and coarse violence in action movies etc. though anyone who is a true student of martial arts or actually soldiers in service know that discipline, understanding and many more compassionate and humanistic qualities are at the base of thier actions. That too is paradoxical of course, but well known.
Most men who have been soldiers hold deeply these powerful emotions, and are reluctant to reveal them openly, but in those times, and obviously with the French, it is not at all surprising to see popularly known verse of this kind. As noted by Iain, it is not the kind of thing that would be placed on a blade in the field by a French soldier, but very much the kind of thing that when seen by a soldier, would be heartily accepted and used.

All best regards,
Jim
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