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Old 21st December 2005, 06:40 PM   #11
nechesh
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Join Date: Dec 2004
Location: Cincinnati, OH
Posts: 940
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No need to worry about angering me at least, opinions are just that.
Perfection is a) Like beauty in the eyes of the beholder b) Perhaps best reserved for the likes of God. I think it might also be a bit difficult to really judge the garap of this blade given the limited area of the blade that is shown. I still think this is an exellent example of modern keris making. Let us keep in mind that most older blades fall even further from the tree of perfection than this one. Critique is all well and good and in fact necessary, but i would still be pleased to own such a blade.
You might also keep in mind that your ideal of the perfect blade is based on an older set of standards which may infact being changing in mode with fashion. Nothing stays the same, not even man's ideal of perfection. Just take a look at older art works to see how the ideal female form has changed over the years and through different cultures.
I think it might also be a mistake to place all these modern keris under the title of "mass produced" Madurese. Firstly mass produced gives me the idea of something machine made, where one product is identical to the next. While certain modern methods are no doubt employed this is hardly the case in the making of this keris. Also, keris of many different levels are being produce today, just as in the past. This is an example of the higher end of that spectrum. I also hope not to anger you when i say that i could really care less how the "real high culture" of keris view these modern works. That hardly invalidates their existence for me. I obviously don't collect keris for the same reasons they do, perhaps not for the same reasons ANYONE else does. All this being said, i must admit that the large part of my collection is older keris, 19thC and older, but i do own a couple of very nice 20thC pieces. To paraphrase an old saying, I may not know keris, but i know what i like.
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