Fascinated by your appraisal and very grateful for the tips, Alan - thank you! Happy to hear that I've picked up a good piece.
Yes the selut is probably what I'm least partial to in this whole arrangement. I feel that it's quite distracting. I'm inclined to remove it as you suggest. I'm also not mad about this pendok, though it seems to work. I may consider swapping it out.
I have a question which I hope isn't too broad. What is it about this wrongko that tells you it's made by Agus Irianto, or the jejeran by either Tejo or Wakidjo? Is this a case where you're so familiar with their work that you simply know it when you see it, or are there signatures or particularities in the end-product that you can attribute to them that we might be able to pick out?
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