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Old 3rd February 2016, 11:24 AM   #27
ariel
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Join Date: Dec 2004
Location: Ann Arbor, MI
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Bulls-eye!

Their Photorealism mutated into more recent Hyperrealism, that puts even more emphasis on the painters' subtle emotional hints and sheer fantasy.
But very often the latter overcomes the reality and this is exactly what happened with your great example of Vereshchagin's very naturalistic image of Indian sepoys "blown from guns" , a practice he could not have seen. Such is art, and this is its difference from historical evidence.
BTW, I was unaware of his travels to Ladakh and Sikkim. Was he a part of the Russian clandestine intelligence gathering operations? ( Another Russian painter, Nicolas Roerich, was or tried to be, later on). If you are interested in that period and the rivalry between Britain and Russia in Central Asia, you absolutely must read Peter Hopkirk's " The Great Game"!

And if we are talking about India and Vereshchagin, we should not forget Edwin Lord Weeks, a superb American Orientalist painter who was his equal or better ( pure IMHO).
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