Ethnographic Arms & Armour - View Single Post

Mark · 23rd August 2006, 08:37 PM

Yeah, that is the "turtle" mark, sort of poorly struck. Some other examples:

Puff, Dan has reported that Lung Som calls the lower one the "bitter melon seed," but it occured to me that he might have been referring only to the rosettes on either side of the turtle, which I have also seen by themselves. Do you know if the "bitter melon seed" the same as the little turtle, or is it the rosettes? Lung Som said that the mark on the lower blade was used by two collaborating smiths, one from Aranyik and the other from Chiang Mai. which made me think that the turtle represented the Aranyik smith, and the two rosettes, the "bitter melon seeds," represented the Chiang Mai smith.

Abravefan, about the spine, a typical dha/daab is quite thick at the base (as much as a 1/2 inch), and will taper dramatically in the first 1/3 or so of the blade down to about 2/3 or 3/4 of that, then more gradually taper to a very thin width at the tip. The best way I can describe this "double taper" is that if you hold the blade up, spine towards you, it looks sort of like the Eiffel Tower.

One modern technique of making daab is to cut out the shape from sheet steel, and refine the shape by stock removal. This results in a less dramatic, or sometimes very little, distal taper, with the blade being a fairly uniform width and tapering nearer the tip (like swords from many other parts of the world, actually). The dramatic taper of the daab blade moves the point of balance very close to the grip, 2-3 inches or less. If the point of balance of your daab is further out, closer to the middle of the blade, this also indicates less distal taper.

23rd August 2006, 08:37 PM	#13
Mark Member Join Date: Dec 2004 Posts: 987	Yeah, that is the "turtle" mark, sort of poorly struck. Some other examples: Puff, Dan has reported that Lung Som calls the lower one the "bitter melon seed," but it occured to me that he might have been referring only to the rosettes on either side of the turtle, which I have also seen by themselves. Do you know if the "bitter melon seed" the same as the little turtle, or is it the rosettes? Lung Som said that the mark on the lower blade was used by two collaborating smiths, one from Aranyik and the other from Chiang Mai. which made me think that the turtle represented the Aranyik smith, and the two rosettes, the "bitter melon seeds," represented the Chiang Mai smith. Abravefan, about the spine, a typical dha/daab is quite thick at the base (as much as a 1/2 inch), and will taper dramatically in the first 1/3 or so of the blade down to about 2/3 or 3/4 of that, then more gradually taper to a very thin width at the tip. The best way I can describe this "double taper" is that if you hold the blade up, spine towards you, it looks sort of like the Eiffel Tower. One modern technique of making daab is to cut out the shape from sheet steel, and refine the shape by stock removal. This results in a less dramatic, or sometimes very little, distal taper, with the blade being a fairly uniform width and tapering nearer the tip (like swords from many other parts of the world, actually). The dramatic taper of the daab blade moves the point of balance very close to the grip, 2-3 inches or less. If the point of balance of your daab is further out, closer to the middle of the blade, this also indicates less distal taper.