Marius, was there no money for a small decoration on the dagger’s spine?
Despite the fact that on both sides the blade is richly decorated with deep carving?
I'm afraid it is this - pure speculation)))
Moreover, it is known that if a traditional blade was used on chur (as in the case of my example), then it is always decorated very roughly. And the appearance of such a beautiful, deep and graceful carving, but only on the sides of the blade is completely unconventional. Rather, I believe that someone ordered such a carving in the 1970s and 1980s, while not understanding how it should be in tradition. Moreover, this floral ornament is not very typical for Afghanistan. Although the master tried hard)))[/QUOTE:]
I believe I see your point!
So, if I would see a Japanese katana with a beautiful horimono with Yin and Yang or some Farsi script, I would definitely consider it a fake/contraption, and by no means a genuine ethnographic weapon characteristic for Japan.
The same will definitely be the case for the Khyber sword in the original posting. At least in my opinion.
And considering that deep engraving is NOT a technique traditionally used by Afghans, it becomes apparent that the choora in question is NOT a genuine ethnographic knife characteristic for its geographic region. It would be like a katana with horimono done by punching.