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Old 22nd September 2019, 06:40 PM   #5
Jim McDougall
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Join Date: Dec 2004
Location: Route 66
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Quote:
Originally Posted by Helleri
Well there are plenty of species of snake in that area of the world to source the skin from. Very few places in the world don't have any native snakes. Usually the only places where people live that one can expect less or no snakes are islands (though there are still plenty of islands that have a lot of snakes).

Something to note is that the maker went with a smooth/non-keeled species of snake. This has some significance toward aesthetics, as keeled scales (where each scale has a central ridge) are naturally matte in their finish; Whereas smooth scales are naturally shiny and often somewhat iridescent.

This piece at one point obviously had a lot of fire (gold gilding). Also that's a beautiful wood choice. So it makes sense that the maker didn't want to pair that with a dull skin even though it would have been an option. If you're going for shiny it's hard to beat a smooth scale snakeskin.

Also snakeskin doesn't really have a corium layer (that fuzzy suede like side that many leathers have). The backside is very paper like, which takes well to being glued. Overall a cured snakeskin is rather thin, flexible and not very elastic. It's an ideal material for this sort of application. Because it can be thinly applied with selective cuts to trace a shape without adding much in the way of bulk or weight.
Thanks very much Helleri, these are truly interesting aspects on snakeskin, and even more encouraging for me personally. I have a pair of rattlesnake boots in progress right now, and I admit being a bit apprehensive on what to expect as far as durability.
I must admit, just as I thought when I made this choice, the snakeskin does distinctly make a statement in being unique.
This pistol instantly becomes more fascinating, I've never seen this on a gun like this, only on swords and weapons in Sudanese context.
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