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Old 27th December 2017, 03:34 AM   #6
A. G. Maisey
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Join Date: May 2006
Posts: 6,697
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Kai, I cannot recall ever having seen this "double lip" as in Paul's scabbard.

Bargello, Dresden State Museum holdings, Copenhagen (including the Royal Kunstkammer), Oriental in Venice, Mangkunegaraan, Radya Pustaka, Surakarta Karaton, the old Musium Pusat in Jakarta --- I've come up empty. Then I can add the uncountable number of keris and keris dress that I've seen, handled, or owned over my lifetime. Empty.

Might have seen it, but cannot recall having done so.

Can you point me at some other examples of this style?

Cirebon and North Coast gandar sometimes have kruwingan, but usually with an ada-ada in the bottom half.

Unusual features can occur in any artifact that has not been produced in a controlled environment. Where the wearer of a keris has freedom of expression, unseen variations can occur. Any area that is under the control of a kraton will be restricted by the relevant karaton styles and mores. Where freedom of expression exists both craftsmen and their clients can come up with all sorts of previously unseen variations and interpretations.

Actually, I seem to recall that Jensen shows a similar scabbard to Paul's that he calls a Solo style, but its is not, it is Madura/East Jawa, and that has a ridge on the face, not dissimilar to Paul's. I'd look it up if I could, but my copy of Kris Disk won't run properly.
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