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Old 21st August 2016, 02:32 PM   #99
fernando
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It is interesting that Pedro Teixeira mentions the use of coral in the building of the Ormuz fortress (for one). Apparently Joćo de Barros and Gaspar Correia don't mention such method, although tey were keen to describe the solution used for the raising of the fortress walls. I would like to read the words Teixeira used in his work, but this is a 647 page work and i don't know where about is such paragraph ... up to now *.
Interesting also is the allusion of 'black' as a colour of Portuguese naus. In fact the wood treatment was based on pitch and when they arrived in Japan, sailing from Goa with merchandise for trade, the locals called them Black Ships, which soon were depicted in screens of the period, having served as furnishings in whealthy households. Produced by artists of Kanö school of Kyoto, these images reveal the fascination with which Japanese artists regarded the foreigners (Southern Barbarians), whose hats and pantaloons, as well as their prominent European noses,where the focus of intense scrunity. Images of this Namban art were also used to decorate domestic objects.

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Found it. What Pedro Teixeira actually says is:
... much stone is quarried from under sea, which the inhabitants use in building, because it is very light. Thery call it Sangh May, which means fish stone. But the wonder about it that it grows again as fast as quarried. The same is found in the Sea of Malaca, where the Portuguese use it, less as building stone than make lime, which they report to be very good.
Resuming, it's all about the same as the chronicles previously quoted.

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Last edited by fernando; 21st August 2016 at 10:53 PM.
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