Samuel,
Good points, supported with perfect illustrations. The blade on St. Nikita's sabre is actually very similar to some swords captured at the second siege of Vienna, more than 2 centuries later - certainly an example of a type that was just starting to appear in Europe. The grip with the forefinger over the crossguard is also remarkable and further shows that the painter must have had a good amount of exposure to warriors of the time, maybe even having some military experience himself.
The second fresco shows the habaki-like plate at the base of the blade, while the garment is conviniently left open to reveal what looks like mail sewn inside. This is where the problems with frescoes start - reenactors tend to see things on some frescoes, which are more the product of conjecture. For example, if that really mail sewn inside, and if so, how about the trousers (same pattern on the outside) with those strange plates on the knees? And then the wild speculation starts.
Overall though you are correct - frescoes provide valuable insight into the arms and armor in the Balkans in the Middle Ages, but they have to be examined with caution to discern what the artist copied from his surroundings, what he copied from older images and what was completely his imagination. And we should be careful to restrain our own imagination somewhat as well.
Thanks for the nice images,
Teodor
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