Hi Richard,
Thank you so much for these responses and the details concerning the atmosphere of these seminal times in the development of the regulation patterns in the military swords of Great Britain. Your soundly emplaced knowledge on these weapons and thier history is evidenced by the very concise and perfectly stated manner in which you write.
Thank you for the link to the articles, and for your courteous concern for the forum rules. As Fernando has proudly noted, we are absolutely delighted to mention other websites, as well as links etc. as our focus is on sharing information and learning together. Naturally the only protocols that should be considered would be pertaining to copyrights or other legal restrictions in posting materials, but aside from those, fair use and fair play stand as our guidelines
It is wonderful reading the detail you mention in these posts, and for me its very much visiting a place I havent seen in many years. My earliest years in collecting were with British regulation patterns, and your descriptions not only bring back the memories, but clarify the often complex details that were then inherent in the study of these weapons.
I had forgotten the turmoil on the 1788 heavy, and the confusion that ensued. The sword tests were huge news of the times, and as noted, these were the big three. I recall the Gill M1788 light cavalry sabre which carried his pronouncement in huge lettering 'WARRANTED NEVER TO FAIL'. It honestly hadnt dawned on me back then, that Osborn was indeed a relatively minor figure until his alignment with Lemarchant, and I had always wondered why his name did not figure in with the others during these issues. As for Harvey, I've never seen much on the weapons he produced except for the dragoon swords and some others which seemed to date earlier than these events. I dont recall ever seeing cavalry sabres by Harvey, and wonder if there are examples to be seen.
One thing that always intrigued me was that in a sense, it seemed that Gill's styling, from the flat pommel hilt and elongated rectangular langets, to the cross section of the blades, appear to correspond to German forms.
On the other hand, those of Wooley seem to lean toward French styling, perhaps somewhat neoclassic with the 'turban' domed pommel cap and the more elliptical langets, then coupled with the montmorency style blade cross section.
Woolley's swords seem characterized by this cross section to the center point fuller nearly to the blade tip.
These are recollections that come to mind, and actually are probably admittedly superficial observations, which I look forward to clarification on.
It seems that I once had read even that Thomas Gill, the mainstay of the controversy over the German blades, was at some point even involved in the importation and use of thier blades, perhaps somehow connected to JJ Runkel. I would suspect this reference might have had to do with propoganda of the times and the situation, but his adherence to German forms does present an element of potential basis.
Its an amazing window into history to see that the weapons scandals and intrigue of yesterday are basically the same in nature as in todays troubled times, only with the obvious difference in technology.
All the very best,
Jim