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Originally Posted by ariel
Perhaps. But he could witness events of 1872 no better than those of 1858: he wasn't there for either:-)
Nothing wrong with it artistically : Rembrandt never witnessed the return of the Prodigal Son, Moses did not have horns and Sistine Chapel is not a documentary account of the Creation of Adam and the Last Judgement.
Once and for all: works of art are not historical facts. In the best possible case they provide us with a glimpse of contemporaneous view of material objects, in the worst one they are malicious distortions of truth. The greatest majority of them are somewhere in between. But no court on Earth would accept them as evidence.
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Ariel, i feel like you are being contrary just for the sake of it here. You are comparing works of classical artists such as Rembrandt that depict biblical themes from two millenniums past to these HISTORICAL paintings that are based, if not on the personal account and sketches of the artist, then upon direct accounts received by him within a few years of their occurrence. Certainly you can concede that the accuracy of Vereshchagin's work regarding the weapons, dress and even the details of the events depicted in his paintings carries more weight and historical correctness than, say, Rembrandt's depiction of the blinding of Samson with a keris blade.
Yes, painting is not documentary photography, we all know that. Many of these paintings might therefore have added drama of light and perhaps an over saturation of color. But what does that mean regarding our use of them in our study of the weapons and armor used in the conflicts that are depicted in Vereshchagin's paintings? What inaccuracies do you find there? If you can't be specific i think you are just nitpicking for no other purpose but to argue.
