[Teisani]

Very nice! Thank you for posting this. I would like to add a few a few observations:

1 - the portret of Vlad Țepeș Drăculea III is actually one from around 1700, commissioned by the Esterhazy family. So, it really represents what the people of 1700 thought what Țepeș looked like, not what he actually looked like(see here https://www.youtube.com/watch?v=x-JUPq5NEEo). As such it can't be used to prove the existance of "boot-hilt hungarian sabres at that time (1460s). Here's another portrait that makes me scratch my head: https://en.wikipedia.org/wiki/Mehmed...med_IV_(2).jpg. According to this portrait, Mehmed IV (circa 1682) had a Polish-Hungarian boot-hilted sabre. What's the likelihood?

2 - Another sabre that looks like Martin Kober/Kubinyi Dániel's (1595) portrait sabre is this one https://www.metmuseum.org/art/collection/search/33998

3 - A few relevant pictures can also be found here http://www.vikingsword.com/vb/showth...t=10450&page=3

4 - A few more suggestions for which we know the owner and therefore the date:

Nikola Zrinsky/Zrínyi Miklós: https://docplayer.hu/222752167-Tanul...-szablyak.html &&&&& https://sites.google.com/site/hagyom...-zrinyi-miklos

Ferdinand II, Archduke of Austria??? (1526–1564)??? made in 1514https://www.museumap.hu/record/-/rec...ted-bib5847482 &&&& https://docplayer.hu/222752167-Tanul...-szablyak.html
From the second source:

The replacement of the Turkish, acorn-shaped grip cap with a flat, crested cap is a Hungarian peculiarity. An illustrative example of this is the Turkish-style decorative saber - made in 1514 - which is also Tirol II. It comes from the former collection of Archduke Ferdinand, and not only the grip cap, but also the cross iron was changed to a Hungarian shape. The letters IHS can be seen on the front, while the I.F. monogram can be seen on the latter. Presumably, the saber is connected to the Hungarian king Ferdinand I (1526–1564), who received the saber from Hungarian lords on the occasion of some notable event, such as a coronation or other celebration. It was used not only for newly manufactured sabers, but also for looted or gifted Turkish weapons, where the original cap was replaced. In its development, not so much practicality as fashion may have played a role.

Bebek György: https://sites.google.com/site/hagyom...-bebek-gyoergy &&&&&&&&& https://www.szadvar.hu/2021/07/bebek-gyorgy-szablyaja/

Đorđe Branković (1688?): https://oruzjeonline.com/2021/10/04/...djenog-kralja/

Thury György (1519 -1571), not a sabre, but a pallash: https://szablyavivas.blogspot.com/20...ry-kardja.html &&&&&& https://hu.wikipedia.org/wiki/Thury_Gy%C3%B6rgy

There is also Gjergj Kastrioti/Skanderbeg's pallash, but it's provenance is debatable https://carolynperry.blogspot.com/20...derbeg-in.html

It seems that the fashion for sabres in the 1500s/early 1600s was that of long quillons. Just look at Bathory, Zrinsky, Bebek, Ferdinand's sabres. Even Thury's pallash has long quillons. Each quillon is roughly the same length as the handle. So most likely these ones are from the 1500s as well https://www.museumap.hu/record/-/rec...ted-bib5810577 &&& https://skd-online-collection.skd.mu...s/Index/284576 &&& https://skd-online-collection.skd.mu...s/Index/289065 &&& https://sites.google.com/site/hagyom...zablya-szikszo &&& https://www.khm.at/de/objektdb/detail/371721/?lv=detail
Maybe this one too https://www.khm.at/objektdb/detail/371717/