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Old 11th September 2013, 09:34 PM   #105
Iain
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Join Date: Mar 2010
Location: Olomouc
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Hi Ibrahiim, your tone is a little strange. Perhaps you are taking this all a bit too personally for a friendly forum discussion.

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para 1... a peculiar link between apparent repetition and no point in posting which I cannot fathom...and coupled to inquiries at the museum?..I am unable to unravel that.
There's nothing complex or peculiar here. There are several points of view that have been presented in this thread, there is a lot of repetition in the presentation of those views. I've posted my views at this time, I see no reason to do it constantly. Personally, I'll be interested to continue the discussion when there's something else on the table - such as pieces with provenance or some of the museum documentation you've mentioned in the past.

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para 2... Freeze? Are you suggesting that the design of the Omani Dancing Sword has changed since its inception in 1744? No it hasn't. Do you imagine that there is a 1744 document waiting to be discovered perhaps next to the original dancing sword in some museum? No there isn't.
The way to establish what has or hasn't changed is via pieces with provenance, period artwork or illustrations. For example you recent post with illustrations dated to 1840 at least show the state of the hilt style at that date. That's a great piece of evidence with an associated date.

I am simply curious to see pieces with provenance and associated dates for the same reason. I have no idea what museum documentation you have access to, how can I until you present it.

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para 3...I am amazed that you think there is some odd linkage between blade marks locally applied and dancing sword design. There are some blade marks with stars on them ... does that imply they went to the moon?
We've had serious, perhaps even fruitful exchanges about this in the past, it's a pity you don't seem to want to continue that judging by your last comment. However perhaps it was intended as humor in which case I can only say... I'm surprised you're amazed.

In brief, the use of copied European marks applied locally onto these blades illustrates a link between local blade production, exposure to European blades and the associated connotations of quality perceived in the latter. Similarly the use of triple fuller and single patterns of a length that corresponds broadly to similar European blades found elsewhere in large numbers at a similar time period is not something that I consider coincidence. Particularly when the primary sword form in use before the inception of this design by and large is flat without fullers.

Obviously this is something that we don't and probably won't agree on. A differing point of view...

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Lastly your suggestion that readers will make up their minds and seemingly placed as The Sword of Damacles over my posts is just simply rediculous.. This forum, in hammering out the facts, expects disagreement and at times heated debate and generally over the hot anvil of discussion takes no heed of whether readers agree or not. This post is alive and kicking and the twists and turns encountered have no place in whether people agree or don't. If they don't agree the rules are simple; let them either do nothing or join the debate! The ink is free !!
Nothing has been placed over your head and I think it's a pity you've chosen to interpret a single phrase in this manner. My last post on this thread pointed out differing viewpoints had been presented. Everyone is free to assess what is written here and reach their own conclusion.

Some may choose to engage with your posted material, as I do on occasion, others may not.

That of course has no influence on the validity of the content you post - however a lack of response does not imply you are correct simply because nobody has bothered to post a rebuttal. As far as I'm concerned, the more participants the merrier.

There are parts of what you present that I find intriguing and raise interesting questions, parts where I disagree with your conclusions and parts where I appreciate the fascinating insight into the weapons of Oman you share. Your passion is to be commended.

All the best,
Iain
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