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Old 9th September 2013, 01:05 PM   #98
Ibrahiim al Balooshi
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Join Date: Jul 2006
Location: Buraimi Oman, on the border with the UAE
Posts: 4,408
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Quote:
Originally Posted by Iain
I can't make things much clearer, if the extended length, fullering and introduction of blade markings on the "dance sword" doesn't raise some questions for you then there's really not much to discuss here... If you think all this came about without outside influence from a sword that looks quite dissimilar... then I really see no point in taking this further.



Mentioning the jist of a previous post of yours on the same thread regarding the exact same topic (pieces with provenance) is hardly out of context. You and I have managed to have friendly exchanges in the past, I see no reason for that to change.

The question remains then, have you pursue the provenance of pieces held within European museum collections?

Of course I have not persued the Omani Dancing Sword in European collections why on eaqrth would I do a thing like that... I'm in Oman researching it. The dancing sword isnt holding some hidden European clue... Its an Omani invention... if it was Belgian or French believe me I would be the first to say so...but its clearly not. This is a 1744 design encompassing some factors of the Old Omani Battle Sword and the whims of whoever finally decided its finished form... I don't think a European sword has been near the design of this sword. It's completely different. Why are you hung up on a European design... Its Omani...

This is not the first time you have spoken about European blade marks on these swords... I've seen hundreds and hundreds of these swords...no European blade marks ...rough copies yes a few... mainly stamped are Islamic, Persian and British Raj India marks and a few rough wolf marks clearly locally done... where's the link in that...?

Might you be trying to resurect that European blades as having been imported for Omani Dancing Sword Blades?

Regards,
Ibrahiim al Balooshi.
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